Word: giono
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...STRAW MAN (461 pp.)-Jean Giono-Knopf...
...19th century's great year of revolutions, Milan staged its famed Five Days' revolt against the Austrian rulers of northern Italy. Stepping out into the clamorous street, Hussar Colonel Angelo Pardi, youthful hero of Jean Giono's new novel, suddenly saw his fellow patriots like actors on a stage-officers strutting by, each with "a finger to his mustache as if to the trigger of a gun"; women's handkerchiefs fluttering from every balcony; grand carriages pulling aside to allow a princess in "working-class petticoats" to lead past a troop of volunteers. And Angelo himself...
...Some Negro artists have done impressively well. Writer Chester Himes, 49, from Jefferson City, Mo., last week won the Grand Prix de Littérature Policière for his novel, La Reine des Pommes, a roman noir or dark-toned crime story that was hailed by Author Jean Giono as "the most extraordinary novel I have read in a long time," and praised by Jean Cocteau as "a prodigious masterpiece." Sculptor Harold Cousins, from Washington, D.C., has lived nine years in Paris, sold a sculpture last month to the Claude Bernard Gallery, and has been commissioned by Susse...
...most publicized French trial since those of Petain and Laval in 1945. Banks of reporters from Paris and London came down to tell the story for their readers. A U.S. movie producer dropped by to measure the film possibilities of Gaston's case. Famed French Author Jean Giono was on hand to get material for a book. By comparison with Gaston's trial, said one enthusiastic French crime reporter, "the theaters of Paris are dull...
Much of this view of life and death is as old as the Stoics and as new as the Existentialists. Where Jean Giono differs from both Marcus Aurelius and Jean-Paul Sartre is in his addiction to verbal color and sensuous imagery. The Horseman on the Roof is an orgy of symbolic corpses, stinks, carrion crows and flesh-eating nightingales, interspersed with involved philosophical breedings and brisked up with epigrams ("Cavalrymen like women to scream"; "I'm afraid of grocers when they have guns"). But. like most contemporary philosophical novelists, Giono makes no real effort to be clear...