Word: giorgio
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Dates: during 1940-1949
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...Giorgio Vannini, a spry, cheerful young priest, was about the most popular man in the tiny mountain village of Affrico. As assistant to the parish priest, who was old and failing, Don Giorgio climbed tirelessly up & down the mountainside, ministering to the flock. For the children he organized picnics and games, in which he himself joined. He made a bowling green for the men, and bowled with them. Villagers remembered how, after war's end, three youths wandered into a German minefield and Don Giorgio walked in boldly to give them help...
Foreshadowings. The exhibition went back to Futurists like Boccioni, included two of his more famous contemporaries who had followed highly individual paths of their own. One of them, Giorgio de Chirico (who has since become a crusty academician-TIME, May 16), was represented by some of his striking early work foreshadowing the Surrealists. The other was Amedeo Modigliani, a much-loved, short-lived alcoholic who was at his best painting tender nudes and portraits based on African sculpture...
Another exhibitor was Giorgio Morandi, considered by some Italian critics as Italy's best living painter. Morandi's specialty is bottles, preferably empty bottles. He has been arranging them on tables in his dusty Bologna studio for most of his 59 years, painting them as undramatically as he can, in pale, dry colors. The show contained examples of his endless variety: bottles grouped like ballet dancers, like factory chimneys, or just like bottles...
Chief attraction was the leader, Giorgio Almirante, small-time journalist and propagandist formerly in Mussolini's service, who, after the Duce's fall, made a living as a messenger boy and traveling salesman. A ferret-like little man, he stood behind the microphone while the delegates cheered. Said he: "I stand at attention before the legion of sorrow." He continued: "They say we are sentimentalists, that we long for a past which died with one man. But we are like the apostles who gained their faith through the martyrdom of Christ...
When he was a young fellow, Italy's Giorgio de Chirico (pronounced keerico) was a red-hot surrealist and an inspiration to other radicals of the easel like Salvador Dali. Most of his favorite themes-the melancholy shadows of late afternoon, the animated manikins, the colonnades and lonely figures in otherwise deserted squares-have since become standard surrealist props...