Word: giorgio
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Dates: during 1980-1989
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...models breezing down Giorgio Armani's glass-topped runway were having too much fun to put on the mannequin's usual mask of boredom. It was a celestial fashion parade: zephyr-light chiffon shorts worn with a billowing shirt and slightly askew man's tie; immaculately tailored jackets with saucy miniskirts; poolside playsuits that looked as if they might evaporate at any moment. The international crowd of buyers and press applauded throughout the show, the highlight of last week's spring collections in Milan, and at the end stood to cheer the creator of all these...
...bank and allegedly siphoned off $15 million from it. In Italy, Sindona faces fraud charges resulting from the 1974 failure of his Banca Privata Italiana, part of a financial empire once estimated to be worth $450 million. He has also been accused of ordering the 1 979 murder of Giorgio Ambrosoli, a lawyer appointed to liquidate Banca Privata Italiana. Even if Sindona is convicted in Italy, he must return to the U.S. and complete his prison term before serving time in his home country...
...pages of Gentlemen's Quarterly and other men's fashion magazines are filled with ads from top European names: Yves Saint Laurent, Pierre Cardin, Giorgio Armani, Nino Cerruti, Hugo Boss . . . Hugo Boss? Is he a French or Italian designer who changed his name to make it sound more macho...
...hero has emerged as the most powerful force in the theater today. At the Olympic Arts Festival in Los Angeles this month, two repertory staples got the full treatment: the Piccolo Teatro di Milano presented a visionary version of Shakespeare's The Tempest in Italian, directed by Giorgio Strehler, while London's Royal Opera House, Covent Garden, in its U.S. debut offered the premiere of Andrei Serban's wrongheaded setting of Puccini's Turandot...
Thus La Pittura Colta: the revenge of late De Chirico on modernism. A decade ago, nobody wanted the historicist kitsch that Giorgio de Chirico, the master of metaphysical painting who became the laureate of Fascist taste, produced after 1925. Today his work goes for big prices and is assiduously promoted. It is therefore not surprising that the Biennale should devote several rooms to him. However, the qualities of La Pittura Colta go far beyond, or below, De Chirico's fussy homages to Rubens, Titian or Fragonard. Its exponents, such as Carlo Maria Mariani, Stefano di Stasio or Omar Galliani...