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Some artists have long, honorable careers but are continually ignored. They are swamped by their colleagues' bow waves. Giorgio Cavallon's career has been of this submerged kind. He is now 73, having been born near Vicenza in northern Italy in 1904, and he was one of the first abstract painters in New York in the 1930s, when painting abstract seemed automatically to consign an artist to ridicule and obscurity. In the '60s some of Cavallon's contemporaries, such as Milton Resnick or Lee Krasner, long written down as minor or fringe figures in the aesthetic...

Author: /time Magazine | Title: Art: Veiled in a Strong White Light | 6/6/1977 | See Source »

Opera Company of Boston, directed by Sarah Caldwell, holds the American stage premiere of Glinka's Russian Folk opera, "Russlan and Ludmilla." Sung in English and performed by Victor Braun, Giorgio Tozzi and Jeannette Scovotti. Orpheum Theatre, Boston. For info...

Author: By Richard Kreindler, | Title: CLASSICAL | 3/10/1977 | See Source »

...central committee, the frail, 76-year-old Luigi Longo, who was Berlinguer's predecessor as party boss, challenged the tactic of non-opposition because it put "the interests of the party in second place [merely] in order to show our national responsibility." He was countered by Giorgio Amendola, 69, a noted historian and essayist, who emphasized that Italy's current crisis (17% inflation, a $20 billion budget deficit and $16 billion in foreign debts) required the party to put the national interest and the fight against inflation ahead of anything else...

Author: /time Magazine | Title: ITALY: The Stangata Dilemma | 11/15/1976 | See Source »

...Shirley Verrett as Lady Macbeth and Bulgaria's Nicolai Ghiaurov as Banquo. On the podium was Claudio Abbado, the company's former music director who, at 43, is a conductor of international stature. The production was conceived and staged by Italy's Giorgio Strehler (see box). For Strehler, it was one of three moments in the spotlight. His staging of Figaro was the first hit of the Paris Opéra's run in New York. This week La Scala will introduce his production of Verdi's Simon Boccanegra...

Author: /time Magazine | Title: Music: The Opera Week That Was | 9/20/1976 | See Source »

...Italy's Giorgio Strehler, who was responsible for the opening productions of both La Scala and the Paris Opéra, is no ordinary director. When he says the music comes first, he means it. When he uses the phrase no man's land, he means that too; contrasting cases in point are the failure of his Macbeth and the success of his Figaro...

Author: /time Magazine | Title: Music: Unlocking the Essence of Opera | 9/20/1976 | See Source »

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