Word: giorgio
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...season's first week gave Adler more reason than ever to believe the testimonials to his genius that gleam down on him from the walls of his office. Price, Regina Resnik and Giorgio Tozzi gave him an excellent opening night and Sutherland's Sonnambula won love-letter reviews. There was a sparkling new production of The Barber of Seville, and a Mefistofele in which dancers and chorus kindled each other to spectacular performances on sets that sometimes looked like paintings by Tintoretto. San Francisco was seeing some of the best-produced opera the American season can expect...
...offered us such topnotch artists as Birgit Nilsson, Leonie Rysanek, Gladys Kuchta, Inge Bjoner, Regine Crespin and Anita Valkki, sopranos; Jon Vickers, Sandor Konya and Jess Thomas, tenors; Jean Madeira, Nell Rankin and Irene Dalis, mezzos; George London, Hermann Prey, Walter Cassel and Eberhardt Wachter, baritones; and Jerome Hines, Giorgio Tozzi and William Wilderman, bassos...
...northern Italy. Paul VI is a bourgeois Pope, born to the comforts of Italy's middle class. His birthplace was Concesio, a country village near Brescia in northern Italy (and about 40 miles from Sotto il Monte, where Angelo Roncalli was born). The Pope's father, Giorgio Montini, was a lawyer and crusading journalist; his progressive political and social views were inspired by Don Luigi Sturzo, a near-legendary priest and sociologist who was one of the founders of Italian Christian democracy. Until Mussolini's Fascism put an end to free political action in Italy around...
...Giorgio Montini's second son, "Giambattista," was a frail, ailment-prone child plagued by colds, who had to be educated privately after poor health drove him from the Jesuit school in Brescia. But at the age of 20, young Montini was well enough to enter the seminary of Sant Angelo in Brescia. He was, then as now, somewhat withdrawn and bookish. One teacher recalls him as the best pupil he ever had, while some fellow students detected in him the quiet charisma of the born leader. "Never have I met anyone who had to say so little to establish...
Until he was nearly 40, he painted heavy landscapes that rarely showed a human being. His style was a Flemish variation of the German and Scandinavian expressionism. Then in 1936 he discovered the surrealist work of Italy's Giorgio de Chirico ("I was haunted by his poetry of silence and obsession") and Belgium's René Magritte. "They were the springboard that brought me into my own world," he says. Delvaux destroyed almost every painting he had ever done and began anew...