Word: giorgio
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From those early years on, Italian painting fluctuated wildly between violence and serenity. Even as the futurist wave gathered momentum, Modigliani began painting his delicately attenuated figures, and Italy's art moved on through Giorgio de Chirico's dream-like surrealism, the almost eerie quiet of Giorgio Morandi's still lifes, and finally into the boiling seas of abstract expressionism. To show the full sweep, the Museum of Modern Art lent 46 of its own works, went to 17 other U.S. museums and such private collectors as Joseph Pulitzer Jr., Peggy Guggenheim, John D. Rockefeller III, Oveta...
After 20 years of interviewing the city's rich and noble families for La Nazione Italiana, Journalist Giorgio Batini, 37, became haunted by the splendor of the private collections that ordinary people were never allowed to see. One day he approached the Contessa Bianca Cavazza, president of the women's committee of the Florentine Red Cross, with a plan: Why not stage a huge public exhibition for the benefit of the Red Cross? The journalist and the contessa started making the rounds, and one by one the Corsini, the Ginori, the Serristori, the Antinori, the Pucci...
...work of 19 Italians and five Frenchmen, all on their very best behavior. Rodin is represented by a terra cotta study of his Thinker, Rouault by a somber Autumn. About the liveliest item in the show is a couple of playful cats done by Sculptor Pericle Fazzini. As usual, Giorgio de Chirico was unhappy about the choice of his work-an uninspired Still Life with Fruit and Milan Cathedral Seen from Rooftops. Said he: "Of course all my works are good, but these are of lesser importance...
...eyes are an ageless blue, but the ancient Signora Partibon is dying. Life flickers in her like needlepoints of sunlight refracted on a palazzo ceiling from the Grand Canal. She grips the hand of her grandson Giorgio and thanks him for his visit ("Now the whole family has come"). But Giorgio, incorrigibly honest, utters a long-banished name: "One of your sons, Marco, is not here." In a paroxysm of coughing, the old lady dies...
...well-bred Partibons share an hourglass relationship. The Fassolas are on top, but empty, feeding on the fetid air of Fascist posts and poses. The Partibons are on the bottom, but filled with grit and their own brand of gallantry -the gallantry of being their rather idiosyncratic selves. Giorgio's tawny-haired sister Elena, with whom he is spiritually close to incest, drives motorboats and herself at a swamping pace. Brother Giuliano plays cards from morning to night and takes cute tricks to bed. With Chekhovian unconcern, Papa Partibon paints while the roof is sold over his head...