Word: giorgios
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...meaning are secondary to Rockefeller. "My enjoyment of art," he says, "is more an esthetic than an intellectual reaction." This leads him to favor Cubists over Surrealists, color-field painters over pop. Yet he is not doctrinaire about his preferences for schools, and his collection includes George Segal and Giorgio de Chirico's Song of Love...
...small investor in Europe, the rule has long been to put up and shut up. He could buy a company's stock, but for him to complain about the company's management was not done. No wonder, therefore, that last week Giorgio Valerio, chairman of Italy's Montecatini Edison, was in a state of shock. At the annual meeting of Italy's largest private company, the long-frustrated small stockholders angrily showered Valerio with a mixed barrage of small coins, epithets and crumpled copies of the company balance sheet. Their urgent message was that...
...will probably be passed then, though insurgent leaders intend to mobilize all of the 380,000 shareholders. One of them, Giorgio Pisano, the manager of Candido magazine, vowed: "The battle has just begun." At the very least, Italian businessmen have seen an impressive sign of small-investor muscle. Other European industrialists cannot write off the incident as a show of Italian emotionalism. On the same day as the Montedison revolt, a determined band of West German shareholders did battle with the directors of the NSU auto manufacturing firm. As a result, they won the promise of a higher price...
...ENFANCE DU CHRIST (CBS, 10-11 a.m.). Hector Berlioz's oratorio, performed by Giorgio Tozzi, Charles Anthony, Helen Vanni, Sherrill Milnes and Asa Berberian, assisted by the John Butler Dance Theater and the Camerata Singers. Repeat...
...Many painters," the biographer Giorgio Vasari noted in 1550, "achieve in the first sketch of their work, as though guided by a sort of fire of inspiration, a certain measure of boldness: but afterwards, in finishing it, the boldness vanishes." The first sketch of which Vasari spoke was usually an oil sketch on relatively fragile paper or unprimed canvas. On it, the artist of the 16th, 17th and 18th centuries delineated his ideas, often in considerable detail, and submitted them to a patron for approval. The dash and daring all too often vanished when he transferred his design...