Word: giorgios
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These famous words, written by Bartolomeo Vanzetti shortly before his execution with Nicolo Sacco in 1927, may well be sung before long from the stage of the Metropolitan Opera House-and quite an aria they would make for Leonard Warren or Giorgio Tozzi. Last week the Met announced that it has taken an option on a Sacco-Vanzetti opera by 55-year-old Composer Marc Blitzstein, to be written on commission from the Ford Foundation...
...rousingly conducted by 29-year-old Thomas Schippers. In the role of the Dutchman (equated by Wagner with both Odysseus and the Wandering Jew) Baritone George London was convincingly demon-ridden, his voice fresh, passionate but controlled. In the comparatively minor role of Daland, the Norse sea captain, Bass Giorgio Tozzi-convincingly costumed in turtleneck sweater, jacket and boots-sang with warm-timbred verve, while Tenor Karl Liebl turned in his best performance of the season as the huntsman Erik. But the real standout of a standout cast was Soprano Leonie Rysanek in the role of Senta, the self-sacrificing...
...Thomas Beecham recorded the work with the Royal Philharmonic Orchestra and Chorus (Jennifer Vyvyan, Monica Sinclair, Jon Vickers, Giorgio Tozzi; RCA Victor, 4 LPs, mono and stereo). His performance is the most opulent of the lot, the most animated-and by all odds the farthest from any thought in Handel's mind. In defiance of "drowsy armchair purists," Beecham offers a thunderously 19th century-styled orchestration-lush, richly colored, and full of dramatic contrasts. Soloists and chorus are uniformly fine, but the recording is not for listeners who take their Handel neat. Eugene Ormandy offers a severely cut reading...
Bell Telephone Hour (NBC, 8:30-9 p.m.). Thomas Mitchell (host), Lisa Della Casa and Giorgio Tozzi of the Metropolitan Opera, Rosemary Clooney, twelve-year-old Violinist Penny Ambrose appear in a program of Christmas music...
...exercise, New Clothes for the King; Italian Composer Nino Rota's The Cunning Squirrel. All three were hits. Henze's work, in particular, won a shrill, twelve-minute ovation. But defenders of the moppets' taste were badly shaken when Carlo Franci's Final Comedy and Giorgio Ghedini's Girotondo-both tricked up with flung pies, flying paintpots and banana-peel pratfalls-seemed to touch off a lot more enthusiasm than the serious moderns...