Word: giotto
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Dates: during 1930-1939
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Titian made no pretense at the universal genius of such men as Michael Angelo or Leonardo da Vinci. He lacked entirely the religious instinct of a Giotto or El Greco. He worshipped fine food, rich brocades and women's bodies, alternated between harlots, duchesses and his daughter Lavinia for his models. Still painting at the age of 90. his trembling hands and failing eyes produced the technique that led to French Impressionism. The bargaining instinct never left him. Wanting to be buried in the swank Church of the Frari, he offered to swap the monks a new Pieta...
...frauds--possess a perfection of their own, which the best modernist critics, at any rate, are gravely anxious to explain and to applaud. So one must really be cautious in his demolition; Picasso, for example, would not be Picasso if he were not privy to certain secrets unknown by Giotto. The attention paid to him is only superficially due to a "justifiable reaction from the ideas of the XIXth century, and above all a reaction from the camera." Understanding of Picasso is like understanding of the Renaissance. Neither must be separated from the nexus of relations which...
...play for Librarian Ethelwyn Manning and her 30 assistants. She is prouder of the library's special services. The library has the finest collection of photographs of illuminated manuscripts in the world. Frick photographers have toured the Pyrenees taking pictures of Romanesque and Gothic paintings made long before Giotto was born. Over 1,000 portraits and miniatures have been photographed in private homes in Virginia, South Carolina, Kentucky, Baltimore, Philadelphia, Boston, Nantucket, Pittsburgh and Bermuda. The library is not too busy to recommend reading lists for ladies' clubs or, for a small fee, to supply publishers, dealers...
Thomas Craven, 45, is a red-haired Kansan capable of tornadoes of indignation on the subject of art. When he published Men of Art the entire U. S. art world paid respectful attention to his caustic evaluation of painters from Giotto to Rivera (TIME, April 27, 1931). Last week it had occasion to heed him again when he published his long-awaited sequel Modern Art.* Critic Craven's second book, like his first, is a series of brilliant biographies ornamenting his chief theme: true art should be representational and born of a passion to interpret life. Such a standard...
...Giotto," Professor Post, Fogg...