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Other spoils of Berenson's Italian conquests include Raphael's Pieta and a portrait of a Roman Count, a Guardi scene of Venice, Botticelli's Madonna and Child, Giotto's Jesus, Fra Angelico's Assumption, etc. Few museums equal the Gardner's extensive collection of Italian masters. But Berenson was not to stop at conquering Italian walls; sensing Mrs. Jack's interest in a bargain, he induced her to buy Durer, Holbein, Rubens, and Rembrandt...

Author: By Meredith A. Palmer, | Title: The Gardner Museum | 4/19/1971 | See Source »

...effect that humanism had on angels (in art, at least) was to stress what the creatures had in common with man. Before angels slid down the ramp of sentimentality at whose bottom they now lie, a perfect balance between their human and spiritual aspects was achieved by, among others, Giotto. The dead Christ was a sight to make angels weep, and in his fresco cycle in the Scrovegni Chapel in Padua, Giotto summed up all its terrible pathos in the little angels that tumble like shot birds...

Author: /time Magazine | Title: Art: The Glory of the Lord Shone Round About Them | 12/28/1970 | See Source »

WITH SUCH a range of works, from Giotto through the Impressionists to Morris Louis, the exhibit could have spoken about the artists' use of light or of plastic form. El Greco's eerie lighting in View of Toledo compared to Tiepolo's ethereal scene of St. Thecla Praying or compared to Monet's Rouen Cathedral could have emphasized the different handlings of light. A trio of Sassetta (the be-beginnings of perspective), Cezanne his constructive view of nature), and Joseph Stella's Coney Island (an engineering of color) could have stated a development in the ordering of nature...

Author: By Meredith A. Palmer, | Title: Masterpieces from the Metropolitan Museum | 10/15/1970 | See Source »

...failed painter who has bummed enough money from a married sister for a year in Italy. Intending to make a cosmopolite and a critic of himself in his middle age, the boy from The Bronx has bought a tweed suit and a pigskin briefcase and begun a book on Giotto...

Author: /time Magazine | Title: Books: Goodbye, Old Paint | 5/9/1969 | See Source »

...citizen of the world is sardonically reminded of the Jewish past he cannot shake by an absurd incarnation of the Wandering Jew named Shimon Susskind, wearing knickers and peddling rosary beads to the tourists at St. Peter's. When Susskind steals Fidelman's briefcase and burns the Giotto manuscript, he forces the ex-painter to reclaim another part of his grubby old identity -the role of impoverished artist...

Author: /time Magazine | Title: Books: Goodbye, Old Paint | 5/9/1969 | See Source »

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