Word: giovanni
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Dates: during 1930-1939
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Like sopranos, unlike basses and baritones, tenor voices go to seed early. When golden-voiced Enrico Caruso died at 48, he had passed his prime. Jean de Reszke and gut-busting Francesco Tamagno retired at 51. But not yet retired is Giovanni Martinelli, 53, robust, white-mopped tenor who made his debut at Manhattan's Metropolitan Opera the year before the War. Never the undisputed best of the Metropolitan's chandelier-jigglers, Martinelli has been a dependable artist in an enormous repertory (57 roles). In two operas, Verdi's Otello and Halevy's La Juive, critics...
...week when Arthur Pforzheimer, Manhattan rare book dealer, exhibited manuscripts of two sweet Shaw songs, / Lack Thy Kisses and Here She Comes, written in 1884 to verses by a friend, a Miss Radford. > Last fortnight the Basle, Switzerland radio station broadcast a gay little opera buffa, La Contadina, by Giovanni Battista Pergolesi, second-rank 18th-Century composer. Mislaid in the Brussels Royal Library, the score had gone unperformed for two centuries. A scholar found it last year...
...18th-Century Masonic symbolism ol Mozart's great, quaint, rollicking fantasy-opera The Magic Flute is pretty vague to present-day audiences. But the music is some of the most beautiful Mozart wrote. Its first complete recording, less perfectly tooled but more spectacular than the Glyndebourne Don Giovanni (TIME, Oct. 3), is the record of the month...
Caesar v. God. Pius XI was "the Pope of Missions." He was also a "Pope of Saints," canonizing during his reign some of the most popular saints of modern times: St. Therese, St. Bernadette of Lourdes, St. Giovanni Bosco (a social service worker who had once been his friend), England's St. Thomas More and St. John Fisher, North America's eight Martyrs. Yet the greatness of Pius XI derived less from his spiritual labors for the Kingdom of God than from his long, uncompromising battle against the pretensions of modern Caesars...
...Last week Tenor Masini's Manhattan debut packed the Metropolitan with an expectant throng. Singing his favorite part, Edgardo in Lucia, Masini failed to make quite as high a mark as he had in Chicago. Critics found him no Caruso but a younger, fresher, less-seasoned Giovanni Martinelli...