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ITALY Romano Prodi Giovanni Goria 9 years...

Author: /time Magazine | Title: Notebook: Jan. 12, 1998 | 1/12/1998 | See Source »

...another Grove passion: opera. Seduced by Carmen's "Toreador March" as a youngster, Grove dreamed of becoming an opera singer. He took lessons and sang around school. And in the weeks before he fled Hungary, Grove and a handful of classmates sang the first, murderously lovely scene of Don Giovanni in a Budapest recital. Grove can't remember if he took the part of the footman Leporello (who beseeches, "Potessi almeno di qua partir!" [I wish I could escape!]) or the blackguard Don Giovanni (who bellows, "Misiero! attendi se vuio morir!" [Wretch, stay if you would die!]) in the performance...

Author: /time Magazine | Title: ANDREW GROVE: A SURVIVOR'S TALE | 12/29/1997 | See Source »

...DIED. GIOVANNI ALBERTO AGNELLI, 33, great-grandson of the founder of the Fiat empire and heir apparent at the corporation; of intestinal cancer; in Turin. Company legend had the dashing but unpretentious Agnelli working as a lathe operator to savor blue-collar life. He had been expected to succeed Cesare Romiti (who took over as chairman from Agnelli's famous uncle Gianni...

Author: /time Magazine | Title: Milestones Dec. 22, 1997 | 12/22/1997 | See Source »

...means of which the audience is invited to observe the clinic in action. Avery situated the three dimensional structure of the clinic in an environment of two dimensional traditional art pieces. The outside of the white walls are covered with a wallpaper based on a 1749 century etching by Giovanni Battista Piranesi, entitled Prison VII. A wood-block pattern of the life-cycle of HIV is incorporated into the Piranesi etching and illuminates the relevence of the Piranesi's shadowy and contorted confinement imagery to the disease...

Author: By Hanna R. Shell, CRIMSON STAFF WRITER | Title: Body As Temple | 12/5/1997 | See Source »

Other staging effects contribute to the half-serious tone of the play: the Devil rises up from beneath the stage with a fine ominous flourish that is quickly and comically undercut by the revelation of his face, and the strains of Mozart's Don Giovanni are continually succeeded by Shavian reversals of the famous legend. Costumes, too, are magnificent, including a perfect reproduction of the turn-of-the century upper-middle class English motorist's get-up (frock coat, cap and goggles) and the impressively stony garb of the Statue...

Author: By Lynn Y. Lee, | Title: Man, Woman Create Life Force | 6/2/1997 | See Source »

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