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Whatever the alchemy that makes a star of a fine singer, Terfel has it. All his Metropolitan Opera performances this fall in the title role of The Marriage of Figaro and as Leporello in Don Giovanni "went clean" -- theatrical slang for sold out -- before the first curtain went up, and there were scuffles in the line for tickets to his New York City lieder recital last month. Onstage his presence is riveting. Both Figaro and Leporello are servants, but there is no trace of the oaf or the buffoon in Terfel's portrayals. In both parts he can be physically...

Author: /time Magazine | Title: OPERA: In The Lap of the Gods | 11/28/1994 | See Source »

...Dart -- concluded that an even better way to affect the fortunes of contemporary music was to write it himself. In 1976 he composed incidental music for a play by Italian librettist Carlo Goldoni at Britain's National Theatre. He quickly found his own Minimalist style in In Re Don Giovanni (1976), and when Greenaway came calling for the first of their 10 films together, One to One Hundred, Nyman found his true pitch...

Author: /time Magazine | Title: MUSIC: Minimalist to the Max | 11/14/1994 | See Source »

...play has been transplanted from the teeming, multicultural world of 15th century Venice, Italy, to the teeming, multicultural world of 1994 Venice Beach, California, where Sellars lives when he isn't setting Don Giovanni in Spanish Harlem, putting King Lear in a Lincoln Continental or deconstructing other classic plays and operas. Shylock, along with the play's other Jews, is black. Antonio, the merchant of the title, and his kinsmen are Latinos. Portia, the wealthy maiden being wooed by Antonio's friend Bassanio, is Asian. But the racial shuffling is just one of Sellars' liberties. The stage is furnished with...

Author: /time Magazine | Title: THEATER: Shylock on the Beach | 10/31/1994 | See Source »

From Mozart's Don Giovanni to Stravinsky's The Rake's Progress, the figure of the libertine, that politically incorrect swine, has swaggered provocatively through 200 years of operatic history. Cads, bounders and rakehells abound onstage: one thinks not only of the lecherous Don and Tom Rakewell but of Nerone, Pinkerton and Eugene Onegin as well -- moral reprobates who give hardly a second thought to the consequences of their actions...

Author: /time Magazine | Title: MUSIC: The Mating Game | 9/26/1994 | See Source »

...black Mercedes limo, he gave meroses, I gave him a boutonniere, and we went tothe North End to a restaurant called Giovanni's,It was fabulous. I think I'll definitely go to the[Eliot] Fete all four years...

Author: By Emilie L. Kao, | Title: Formal 'Trauma': Where to Get a Date? | 5/9/1994 | See Source »

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