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...playwright Jean Giradoux had a knack for treating heavy philosophical subjects in a light way. In L'Apollo de Bellac, being performed in French at Winthrop House this weekend, it's the classical theme of beauty that's the target. As the play opens, the Greek god Apollo comes to earth with the mission of teaching a woman the secret to any man's heart: Tell him he's handsome, Apollo says; no matter how ugly, any man will believe that. It takes little social consciousness to predict that this open sesamegets the woman into more trouble than she asked...

Author: By Diane Sherlock, | Title: STAGE | 4/14/1977 | See Source »

...Most of the ones who fill out polls seem to like the rep system like the shows--the ones who write little notes to us all want to see us do something far-out, like Giradoux, or Ugo Betti...

Author: NO WRITER ATTRIBUTED | Title: Loeb to Stick To Repertory | 8/19/1965 | See Source »

...failure of America to produce dramatists of the stature of Brecht, Giradoux, Pirandello, and Anouilh is one which Bentley explains in terms of the role theater plays in American society. "In this country, the theater is for amusement, which puts the author at a great disadvantage. Significant theater is written to be taken seriously." This is a motif to which he returns frequently. "Men like Hemingway and Faulkner write novels, because they know that novels will be taken seriously. But the play in this country that is both serious and popular is a real rarity...

Author: By Frederick H. Gardner, | Title: Eric Bentley | 11/4/1960 | See Source »

...Paris-born U.S. theater director who, with such other unknowns as Henry Fonda, James Stewart and Joshua Logan, helped start the University Players and hit the big time after he directed Lynn Fontanne and Alfred Lunt in Robert Sherwood's Idiot's Delight (1936) and in Jean Giradoux's Amphitryon 38 (1937), went on -to stage Life with Father (1939), Arsenic and Old Lace (1941), Finian's Rainbow (1947), and The Great Sebastians (1956); in Manhattan...

Author: /time Magazine | Title: Milestones, Mar. 28, 1960 | 3/28/1960 | See Source »

...curtain at Pi Eta opens on a starkly effective silhouette of Peter Prangnell's representation of the Trojan Gate of War, but Giradoux's Tiger at the Gates is not a play about Trojans or even about Giradoux's France and Germany: despite its setting it contains much drawing room comedy, while being concerned with the "stupidity of men and the elements." The HDC production manages to carry it all off with verve...

Author: By Carl I. Gable jr., | Title: Tiger at the Gates | 11/20/1959 | See Source »

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