Word: girandoux
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Dates: during 1970-1979
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Sartre's play (perhaps his greatest) draws on the lore of Greek mythology to dramatize philosophical dilemmas of "choice" central to his own thought. Unlike Girandoux and Cocteau, so often careless and fanciful in their dramatic use of Greek "gods" and fate, Sartre adopts the symbolic fable of the House of Atreus as a serious medium for analysis of social guilt. He throws the uprooted Orestes into a miasma of remorse and penitent masochism. But in portraying Orestes' collaboration with Electra to avenge the murder of their father, Sartre avoids abstraction and presents his characters concretely...
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