Word: girdered
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...society at large. What do ironworkers think about? How does their community work? Whenever Cherry fears his subjects are getting too much like automatons with accents he reverts to a "fun" incident--the workers playing a joke on an apprentice named Peter the Putrid Punk, or collecting on a girder to watch the hookers go by on Sixth Avenue. But the games are usually just buddies horsing around--not iron-workers--and they seem artificially imposed, stuck in to jazz up the plodding descriptions of the work...
...Post and The Seven-Ups' Phil D'Antoni, as well as The Laughing Policeman's Stuart Rosenberg, are interested mainly in zapping their audiences. Force's liberal apologia count for naught when the director's only feeling is for carnage (a man's head getting shorn by a girder, or a pimp choking a whore with Draino). And The Seven-Ups' story of mixed roots in Little Italy--strong Buddy grows up to be a cop, while his weak friend Vito turns crook--is naturalism used to lubricate the gore machine. The Laughing Policeman is most barbarous...
...turning into a battlefield. Police extinguished the street lamps, halted traffic and elevated trains running overhead. The four gunmen, reinforced by an arsenal of rifles, shotguns and pistols, fired freely at the moving shapes in the darkness. One patrolman, Stephen Gilroy, 29, leaned cautiously forward from behind a steel girder; an instant later he was shot in the head and fell dead...
Instead of picking one official architect-such as James Gamble Rogers, who weighted the campus down with his Girder Gothic of the late 1920s and '30s, Yale turned to a number of the most lustrous and far-out contemporary master builders: Eero Saarinen, Gordon Bunshaft, Paul Rudolph, Philip Johnson and Louis Kahn. They adhered to no single style, only to the modern mood, which freely explores how steel, glass and reinforced concrete can most beautifully be bent to shelter man. Their stunning results have made Yale more of a laboratory than a museum...
...asked to demonstrate to television cameramen how the astronaut would ride to the launch pad in a van and enter a gantry elevator for the space shot. Cooper donned a silver space suit, walked to the elevator entrance-and stopped in mock horror. As cameras whirred, he grabbed a girder and screamed: "No! I don't wanna go! I won't go!" The TV men were amused, but not the NASA officials. Again, during Gus Grissom's suborbital flight. Cooper, who had been flying a chase jet, buzzed the Cape and momentarily disrupted communications. He was severely...