Word: girlhood
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...which belong with the best of contemporary U. S. writing in this difficult form. A distinctive book, elusive as quicksilver, it has the subtlety that has marked all Miss Porter's writing, none of the preciousness that has previously marred it. Old Mortality tells of the legend-haunted girlhood and runaway marriage of Miranda, a skinny, freckle-nosed Southern girl who is such a relief after traditional Southern belles that she is almost an achievement in herself. Noon Wine is a deceptively artless picture of life on a South Texas farm, written with such quiet good nature that, when...
...Death of the Heart describes such a meeting. Heroine is Portia Quayne, a product of a lonely, itinerant girlhood with her mother in second-rate European hotels. Orphaned at 16, she goes to live with her halfbrother, a successful London ad man. His wife, a sophisticated dilettante, grudgingly tolerates Portia at the beginning, detests her after she finds and reads Portia's diary, whose wide-eyed observations on her guardians read like satire...
...page novel of the "Sandlappers" who settled California's semi-arid San Joaquin Valley. For the first 150 pages, which move as slowly as a covered wagon slogging over the plains, it is the reader who suffers most. This beginning goes way back to the heroine's girlhood in Missouri; and although the Civil War figures in her adolescence, the only valid purpose in these tedious chapters is to let the heroine reach a marriageable age before she goes West. When she marries an ambitious farmer and goes to the San Joaquin Valley to settle down, the tale...
...soon Mr. Yordan brought the car to a stop within the practice area on Commonwealth Avenue and suggested that Bernice, with whom the Vagabond was just becoming acquainted, take the helm--or one of them. There was a major reshuffling as Bernice disengaged herself from the heap of girlhood, hooked her heel in the Vagabond's cuff and catapulted into the front seat, to replace Mary who was already nosing down for a landing...
Club de Femmes (Jacques Deval), made in France, is a naive, sometimes sad, sometimes merry, typically Gallic approach to a theme similar to that of Maedchen in Uniform, Eight Girls in a Boat and other film treatments of repressed girlhood. Manhattan censors promptly spotted Sapphic overtones and more frankness than young girls ought,to show, ordered several cuts. Its U. S. sponsors, Arthur Mayer and Joseph Burstyn, gloomily anticipated even severer censorship in Pennsylvania, Ohio, Kansas...