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Word: girling (lookup in dictionary) (lookup stats)
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Details like working light bulbs on the tops of mannequins and an old-fashioned lamppost extending from one corner add character to the expansive stage. In one scene, Benjamin and Girl come across a carnival and actors situated above the stage pour down hundreds of brightly-colored balls while a previously unnoticed ring of red and orange Christmas lights comes alive along the balcony...

Author: By Nicholas D. Cuse, CONTRIBUTING WRITER | Title: Donahue Elevates 'Stairs' to New Heights | 2/9/2010 | See Source »

Although her performance as Girl improves as the play progresses, Strachan struggles initially to capture the love-struck nervousness of her character. During her first encounter with her boss, she misses a comedic opportunity and comes off more awkward than relatable. She seems much more comfortable as the strong, confident character that Girl becomes later. However, because she never quite convinces early on, this transformation is less than satisfying...

Author: By Nicholas D. Cuse, CONTRIBUTING WRITER | Title: Donahue Elevates 'Stairs' to New Heights | 2/9/2010 | See Source »

...deals with the beautiful image of a woman trying to stitch together a torn book as letters pour out of it to the sound of running water. “Pop,” a film by Sarah M. Ngo ’13, shows a perfectly-drawn girl in a simplistic world surrounded by fish who repeatedly “pop” and disappear...

Author: By Alexander E. Traub, CRIMSON STAFF WRITER | Title: A 'Frame by Frame' History | 2/9/2010 | See Source »

...loops, mix in some guest vocals and voilá—the songs on “Heligoland” rarely deviate from the template. As a result, it’s sometimes easy for the tracks to fall into a lull or feel stagnant. “Girl I Love You” and “Flat of the Blade,” though solid tracks overall, are prime examples of this kind of stasis, failing to offer any novel interpretation of what Massive Attack have been doing for years...

Author: By Matthew C. Stone, CONTRIBUTING WRITER | Title: Massive Attack | 2/9/2010 | See Source »

...when the terror and destruction conclude, Sosa must reenter society—devastated and disoriented—alone once more. “I stumbled along, talking to myself, gesturing at the night, babbling. I called out to Loli. My love, my beautiful girl, come with me. I called out to Beti and Carmela, my princesses who had loved me so. Don’t leave me, my darlings, what will I do without you, where have you gone?” Yet despite the explosive display of power that sets Sosa fleeing from his snakes, Moya suggests that...

Author: By Denise J. Xu, CRIMSON STAFF WRITER | Title: Moya Struggles to Charm in 'Snakes' | 2/9/2010 | See Source »

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