Word: girlishness
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...than the painted ones. In The Human Edge, for example, the real Frankenthaler is to be found-not in the weighty banner forms that hang down from the top, but in the horizontal rectangle of white that lies beneath and behind them.The whole picture was executed in rather a girlish pique in 1967. The artist was feeling resentful about the considerable popular and critical acclaim enjoyed by "certain hard-edge painters." Thus "the human edge" becomes a play on the expression "hard-edge." The whole painting says in bold and aggressive tones: "My name is Helen Frankenthaler-and goddammit...
ZORBA. Producer-Director Hal Prince has turned out a non-Jewish version of Fiddler on the Roof. But this time Herschel Bernardi merely inhabits the hero's role rather than being possessed by it, and Maria Karnilova never quite provides the mixture of girlish coquetry and faded carnality that the role of Bouboulina requires. The music sounds as if it is being piped in by Muzak; the lyrics are insipid, the dances are any old folk...
ZORBA. Producer-Director Hal Prince has turned out a non-Jewish version of Fiddler on the Roof. But this time Herschel Bernardi merely inhabits the hero's role rather than being possessed by it, and Maria Karnilova never quite provides the mixture of girlish coquetry and faded carnality that the role of Bouboulina requires. The music sounds as if it is being piped in by Muzak, the lyrics are insipid, the dances are any old folk...
...girl who seems to be idly looking for attention, whereas Irene Papas was starved for passion and seething with it. As for the aging soubrette of a landlady who embarks on her last amorous voyage with that pirate of life Zorba, Maria Karnilova simply cannot provide the mixture of girlish coquetry, humor and faded carnality that made Lila Kedrova's film performance such a stunning achievement...
...phases, moods, and transitions with considerable skill, and like Seltzer she shines in the scenes of intimate conversation. My only objection to her portrayal is that it leans something too heavily on the prop of youth. Even at her first meeting with Caesar, Cleopatra must be something more than girlish--she must demonstrate a potential for rule. In her final scenes, she must possess at times a terrifying and self-possessed maturity. These qualities are all present in Miss Yakutis's performance, but do not always receive proper emphasis...