Word: girlness
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Dates: during 1990-1999
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Another Bush ad, by far the most striking and unusual of this campaign, reflects an effort at a different kind of inoculation. As a worried little girl wanders around what seems to be an abandoned military base, Bush tells us that "we live in a world of terrorists, madmen and missiles." The girl suddenly disappears, as Bush says that "a dangerous world still requires a sharpened sword." When he promises a "foreign policy with a touch of iron," the girl reappears, reaching out her hand to a uniformed arm. While the ad was produced well before the Governor flunked that...
...went for his first audition at 15 to chase a girl, Amy, who was sweet on his older brother. Hoffman grew up in suburban Rochester, N.Y., a baseball jock who often attended regional-theater productions with his mother. "When I was in, like, seventh grade, I saw Robert Downey Jr. in Alms for the Middle Class," he recalls. "I loved it. Loved it." High school acting led to drama school at New York University, off-Broadway theater and, finally, Hollywood...
...Rosetta (Emilie Dequenne), a teenager in today's depressed Belgium, the answer is anything. Luc and Jean-Pierre Dardenne's Rosetta, which earned this year's Cannes Film Festival Palme d'Or and a Best Actress prize for Dequenne, is the close-up portrait of a girl for whom need has become obsession...
...Elaine Cassidy) is an Irish girl come to Birmingham, England, to find the guy who left her pregnant. He (Bob Hoskins) is a caterer with an eye, and a knife, for the ladies. In this sort-of comedy about a serial killer and his next intended, the only thing pushing the plot is relentless coincidence--a movie this implausible shouldn't be this dull--and a very aggressive score that tells you what you would have felt if the film (from the director of The Sweet Hereafter) had been made with more passion and craft. Only Hoskins rises above...
...good; perhaps a strange complaint for a Bond film, but there's a fine line between class and crass. It almost seems as though James Bond himself is set at odds with his style of movie-making. 007 is a man of simple pleasures and simple motivations; get the girl, save the world. Sure, he uses expensive gadgets and blows up expensive things, but these are just tools of his imperturbable savoir faire, proof that he has no compunction eliminating whatever obstacles are in his way. The whole point of James Bond, at least as drawn up by Ian Flemming...