Word: girls
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Dates: during 1920-1929
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...like the finest play of the season arrived last week aglow with a stunning performance by Helen Hayes. The play was variously compounded out of Smith College and the intensely theatrical background of the melodrama, Broadway. In the cast of Broadway there once appeared one Ann Preston Bridgers, Smith girl, potential playwright. Her manuscript came under the canny eye of George Abbott, one of the authors of Broadway, and when he was through with it Jed Harris, producer of the same success, went out and hired a troupe. To head it he hired Helen Hayes, and by her playing...
Nightstick. Again the underworld wars with the police; and again the police get both their man and the girl. In a misguided moment this young woman marries a killer, who kills enough people to give Detective Thomas Glennon reason to undertake his extermination. The fact that Mr. Glennon also loves the lady adds impetus. Out of all this grows another of the violent melodramas with which every theatrical season teems. But there is the favorable novelty that Nightstick is vividly acted, shamelessly incredible, and eminently exciting from the disordered, menacing beginning to the inevitably honeyed...
...hear about the Lady Godiva stunt a girl is going to pull...
...girl without any clothes on is going to ride horseback down Fifth Avenue...
...windows and shout. All through the nineteenth century, whenever there came across the Yard a woman, be she young, middle-aged, or old and wrinkled, the cry went forth "Heads Out!" and windows were flung up as other students took up the shout. With the coming of the Gibson girl to the "Annex"--in other words Radcliffe--and the end of the Victorian age, the number of female figures in the Yard increased so much that this custom became impractical.. It wanted for several years; and then came Rinehart to replace it altogether. Imagine the situation today...