Word: girls
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Dates: during 1920-1929
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...Campbell rose to Major in the Army Ordnance Corps during the War. For three years (1919-22) he was a cinema director for Famous Players-Lasky (Oh, Lady, Lady, She Couldn't Help It, Ducks and Drakes, Two Weeks with Pay, March Hare, One Wild Week, The Speed Girl, First Love...
...Sophomore (Pathé). Here is one of those cinema colleges without buildings or curriculum, but this time composed strangely of youths who do not smoke or drink and who expel a fraternity brother as soon as they find a girl in his room. One Eddie Quillan uses trite situations for purposes of comedy. Between arid stretches, two sequences are fairly funny-the college play, when he has to let his worst enemy make love to him, and the football game which he wins by tackling a teammate who is running the wrong way. Sally O'Neil...
...sunburned girl in a bathing suit, her ankles ringletted with bells, danced in a Manhattan ballroom last week a dance that few white men had ever seen before. To a slow orchestral accompaniment she pounded barefoot on the floor, bowed low, bent back, made gestures as of sowing grain, beseeching fertility. Lining the walls on three sides sat 80 interested men and women. Some were young, some were white-haired, most were matronly looking women and burly, oldish men. Fascinated, they began to beat the rhythm with their programs, then one by one they rose, joined the dancer...
...white man's comment on the relationship between sex and religion, a comment in which sympathy and emotion replace the irony so easy to this kind of writing. After shooting his brother in an argument about a crap game, a Negro named Zeke turns preacher and converts the girl, Chick, who got him in the game. She beats up his rival with a poker, saying. "Ain't no one goin' to stand in my path to glory." This is the best line in Hallelujah, but Zeke (Daniel L. Haynes) has other good ones in the sermon...
...Wilson's "episodic cyclorama" attempts to paint in 34 scenes the tumultuous love-life of Veronica Mathilda McConnell, a poor Irish serving girl. At the age of eleven in the streets of the slums. she gathered stray lumps of coal to keep her drunken father warm. "Youse wuzz good to me," she breathed to the portrait of her mother (recently deceased). She appeared in rags, in bathing suits, in bed; as the innocent, the maiden betrayed, finally as the tempered lady who babbled of green fields as she died in New Rochelle at the tender...