Word: girls
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Dates: during 1920-1929
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...Sand borrowed all it could from Madame Butterfly, including soft off-stage harmonies, and failed to repay the loan. It added certain novelties from which the edge was worn by unreality. The twist awards the Japanese heroine to the American hero (unknown to him, his mother was a Jap girl). Before this sweet solution can release the audience, there are six scenes in and about Manhattan, beginning with the meeting of the chief participants at a Far East bazaar in Forest Hills. The performers were generally apt but the play is apt to end presently in the storehouse...
...Kirkwood is invariably solemn and virtuous. He wins his woman. Usually he is an outdoor soul with all the calm irresistibility of a brooding oak. He grows, in the present instance, in Africa. Beside him grows his cousin, a dope fiend and a very unpleasant individual. Out comes the girl, in love with the latter. Suicides, hypnotism and a flood are employed to solve the somewhat reminiscent situation. Mr. Kirkwood plays a double part of the hero and the bum. Anna Q. Nilsson is the girl...
...first leading part, she quite steals the strength of the picture. She is small and seems to resemble a combination of Marilyn Miller and Mary Hay. The picture plays about on the East Side (Manhattan) amid the slums, and pawnshops. The rich man from uptown marries the poor girl from Hester Street and the audience has only a fairly good time watching...
Despite the prejudices of Harvard and Princeton men in charge, coeducation is established at Beirut. The lecturer showed the importance of this by the instance of the Moslem girl who removed her veil--for the first time in public--in chapel, and of the Jewish girl who sat at table with men of all faiths...
There was a young girl at the shore