Word: girls
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Dates: during 1920-1929
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...Baronet's fire as man to man and, always remembering his position, returns pride for pride. Even the guilty Bill, as he reiterates to a somewhat doubting audience, is not wholly a blackguard in spite of his painful attempts to assure the family that he loves the girl,--who is always referred to as "her" from act II on,--his over-wrought nerves, and his all pervading boorishness...
...baby, born apparently dead, was successfully revived by unusual means, an injection of adrenalin. The child, a boy, was one of a pair of boy and girl twins born in a Brooklyn maternity hospital. The two children together weighed only five and a half pounds at birth. The girl, except for her size, was normal. The boy was without heart action or respiration...
...children were then placed in an incubator. Within three days they were taking nourishment normally, and since then have gained steadily in weight-the boy even more rapidly than the girl...
...singer has ever made a debut with the fortunate circumstances under which Rosa Ponselle made hers. She had been a cabaret singer in New Haven, Conn. She was just out of vaudeville. Gatti Casazza thought he had found a second Farrar. For her first operatic appearance, the New Haven girl opened the Metropolitan season singing opposite Caruso in Forza del Destino. She had an enormous triumph that night. Since then her success has languished. She is an American. Perhaps if she had the personality of Jeritza she could have overcome that handicap...
Miss Dorothy Sands, who is taking the part of Nelia-Anne, a "bound-out" girl, was one of the charter members of the company. She played Pastora and Miss Mercy in the plays of those names produced in 1921, and took the part of Judy in "A Punch for Judy", in the same year. What has been considered one of her finest interpretations was that of Gismonda, an Italian lady of the Renaissance period, in "Torches", one of the plays...