Word: girls
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Dates: during 1920-1929
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...simple as life itself seems to be. A Midwestern youth who wants to be an architect takes his greatest satisfaction in the fact that he is free, that he may defy his drab background, and do as he pleases in becoming great. Then, one moonlit night, a girl's arms fasten him, innocently, generously, but so tightly that he can never escape. He tries, of course, but finds that his ambition has been diluted by emotion. He settles down in the environment he hates, trapped, but sure that he will not vegetate as all the others have done before...
...foregoing may suggest that Man's Estate is a man's play. It is not. Earle Larimore gives an acutely sympathetic portrait of the beaten youth, but the story mounts to its second-act crescendo through the beauty of Margalo Gillmore's portrayal of the girl who, without wanting to, draws the youth back into the shadows of mediocrity. There are other excellent performances by Edward Pawley, Dudley Digges, Elizabeth Patterson and Armina Marshall. Mr. Digges also is to be credited with the direction. The production is flush with the Theatre Guild's usual high level...
Bird in Hand, named for the Gloucester inn in which it takes place, contains the slight story of a romance which is opposed by the girl's father on the rather unusual ground that he does not want her to marry above herself. It is, so far as plot goes, thin fare, but Mr. Drinkwater has thickened it with some highly diverting comedy so smoothly played that it does not seem extraneous. The entire cast has been brought from London, where the play has run a year, and is considerably more than adequate. Ivor Barnard and Herbert Lomas...
...silence, by the expression of faces not disfigured by make-up and photographed from all angles, mostly in closeup. Director Carl Theodore Dreyer, a Dane, is not concerned with history, except that he uses accurately and intelligently such evidence as the 15th Century has left him about the girl who saved her country from its enemies, and was later tortured to death by the Church. Somehow Dreyer found a woman, Mile. Falconetti, whose face was what he looked for, and whose talent directed as well as fulfilled his own "directing...
Together, Dreyer and Falconetti have made the girl whom Mark Twain saw as through the eyes of an amiable, schoolgirlish companion, and whom Bernard Shaw created as a healthy, quick-witted English girl of the fox-hunting type, a person whom the spectator recognizes as someone revealed for the first time, yet who has always been known to everybody. She is answering her judges at a moment when she is forced to renounce either her life or her faith...