Word: girls
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Dates: during 1940-1949
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...story, fashioned by Garson Kanin and Ruth Gordon: a frowsy blonde (Judy Holliday) trails her husband (Tom Ewell) to his girl friend's apartment and shoots him, but not fatally. The rest of the movie follows the trial of the assault case in court. Attorney Tracy is defending a husband's right to philander; Attorney Hepburn is fighting for a woman's right to shoot an adulterous husband...
Number eight in his caravan of cartoon collections, Peter Arno's Sizzling Platter revives the gawking, girl-crazy old hell-raiser for a few sad appearances. He still lassoes his prey with diamond necklaces ("You certainly know my Achilles' heel, Mr. Benson"), buys yachts ("How many does it-er-sleep?"), invests in mink ("She got it by going 'brrrr' in front of Bergdorf's"). But what may be his final fling finds him corralled at last by a barbed-wire surtax: while his stern better half sits guard near by, the fat, fading Park Avenue...
...late years Cartoonist Arno, never timid in his technique, has broadened his brush stroke and simplified his situations ("I hate messing around with complicated backgrounds"). Some up-&-coming Arno types: the chinless, chestless little husband, and the ferocious, terrapin-eyed old girl of 50 who admires ballplayers ("We do sell them sometimes, lady, but only to other teams"). Arno likes best the gagless, slapdash sketches of clowns and nudes with which he has padded out his book, even hopes to hang them in a "serious" one-man show later this season. But he admits that he finds his fans...
Never Dies is loosely knotted together by a narrative that does its best to supply a romantic strand (India harbors a gorgeous American girl who has got herself into hot water by marrying a Siamese prince). But the fruity, feathered hat of glamorous romance is not one that sits comfortably on the head of ex-Missionary Margaret Landon. Her virtues are the warmth of her religious faith and the frankness with which she discusses such delicate matters as jealousy and rivalry among missionaries. The general result is too honest and heartfelt to be scoffed at, but too artless to make...
...charge, plays taps when it buries its dead, and sings a lot of good cavalry songs. Ford's officers sit straight in the saddle, and their gold fore-and-aft shoulder bars gleam in the sun. His two lieutenants (one a wealthy Easterner) are in love with one girl, and she is a spoiled brat who turns out all right in the end. Ford has a big sergeant who drinks Irish whiskey and demolishes a half dozen or so of his comrades in a friendly bar-room test of strength--one of the three interior scenes in the whole picture...