Word: girls
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Dates: during 1950-1959
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...jocks were acknowledging what everybody has suspected for some time-that their teen-age audience has begun to walk out on them. The popularity of rock 'n' roll began to slack off about a year ago, and stations that once blared Splish Splash, Dream Lover, Hey, Little Girl and High School Sweater have started turning to less frenzied numbers such as Delia Reese's Don't You Know and Johnny Mathis' Misty, plus the effusions of such reformed rockers as Paul Anka, Bobby Darin, Brook Benton. Back into pop records went the sound of shimmering...
Jolly's Progress (by Lonnie Coleman) concerns a wild, scared, quick-witted young Alabama Negro housemaid who, having been seduced by her employer and sent packing by his wife, finds sanctuary with an enlightened writer. While the writer is playing Professor Higgins to the girl's Liza, the town assumes he is playing Don Juan. Preachers rail, hooded figures threaten, before a ladylike Jolly goes North for further schooling. Beyond some vivid touches by Eartha Kitt, the play has small merit. It is so gagged up with breezy situations, crude stereotypes and comic characters that the racial angle...
Recalling that Radcliffe's entry, Priscilla Bowden '61, became a national winner in 1959, girls from Barnard and Moors this year expressed "overwhelmingly favorable" opinions. "The competition is a challenge to our artistic taste in clothes," commented one girl from Barnard...
...transformed and redeemed in a last great love. The notion is so silly that not even the moviemakers could convince themselves it was true. Scarcely a line in Sy (The Big Country) Bartlett's script rings true, and some of them are almost ridiculously false. ("How did a girl as pretty as you get to be the biggest witch in Hollywood?" a famous actress shrieks at Sheilah. "Only the second biggest," Sheilah purrs back, looking as if she has just said something brilliant.) And scarcely a scene goes right for Director Henry (The Bravados) King. The principals stumble around...
Author Dunham states in a note to the reader that what she has written is not an autobiography, but the book's heroine is a girl named Katherine Dunham who grew up near Chicago, as did the author, the daughter of an American Negro man and a light-skinned French Canadian woman. Albert Dunham, the sullen, tormented father, dominates the story. Ambitious and immature, he marries beautiful Fanny June Taylor, a well-to-do woman many years older than he, and for a time is able to regard himself as a man of property. But not long after Katherine...