Word: girls
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Dates: during 1960-1969
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HISTORY. I came to Harvard in the fall of 1965. It was a crisp fall and quite russet, if I remember correctly. Two falls before, John Kennedy was shot dead in the middle of a Biology test. A girl came running into class hysterical to tell us. A few of us stayed to finish up our mollusca; then they let us out early. The summer before, I was a civil rights worker in Alabama. In those days, we believed that the government could solve all of our problems, and that we were the good guys and the government...
...price of a sojourn at Cottontail Ranch averages $20. The four prostitutes range in age from 22 to 24, are on call twelve hours a day, and split their earnings with Landlady Richards. "When business is slow," says one girl, "we read a lot. Sometimes we play Scrabble. Every day Beverly leads us in calisthenics." But business is rarely slow, according to federal tax agents, who monitor the books. "It's a real challenge for our agents," says J. C. Muyres, Internal Revenue Service official in Las Vegas. "The houses are cash operations with no set prices...
...half expected the ghost of Hedda Hopper to come at me with a hatpin. Instead I was greeted by Hedda's spiritual [as it were] successor, Joyce Haber, Hollywood's new No. 1 voyeur. I was ushered past an epoxy statue by Frank Gallo of a naked girl [Joyce likes to strip people naked) and a Tony Curtis box made especially for Joyce and featuring an old fashioned toilet chain...
...Miss Haber was trim enough to show her Donald Brooks suit off to best advantage, but her blue eyes had long since lost their little-girl luminosity; it was almost as if they had already seen so much they had turned to marble. Her face had that blowsy, drowsy look, the kind people get when they have slept too long, or not at all. These nights, sleep is scarce. Plopping down on a two-seater sofa in her workroom, Joyce explained: "This is really a Hide-A-Bed. I have to get up at 5:30 to do my column...
...Hollywood, which comes on as a fond, hapless parody of itself. Confronting him in his office are three William Morris agents and a portly director named Henry Koster, who wants to match a 1937 Koster triumph (Deanna Durbin and Leopold Stokowski in A Hundred Men and a Girl) with a new musical concoction. Koster outlines the story. A touring symphony orchestra is about to return to New York to put on a charity program "for crippled children." The cymbal player comes down with a contagious disease in Moscow ("We can work out the disease later"), and the whole orchestra...