Word: girls
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Dates: during 1970-1979
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Happily, it still does. The Kirkland House Drama Society's current production of Frank Loesser's How To Succeed in Business Without Really Trying, an early-'60s paean to the knucklehead glory of girl-watching and "getting ahead," recreates the innocence of that time with an enjoyable, if sometimes unfocused, energy. Moving through the standard '60s-musical formula of boy-meets-girl, boy-and-girl-fall-in-love, boy-and-girl-fall-out-of-love, and boy-beats-world-and-marries-girl -- all to the accompaniment of Loesser's slick score -- the Kirkland House cast manages to create...
...prostitutes called out something like "Hey, baby!" Newton jumped out of the car, Orloff says, and began arguing with one of them, Kathleen Smith, 17. The others ran. When they heard a shot fired, they turned back and saw Smith lying on the ground, shot in the head. The girl lingered in a coma for 96 days before she died...
...camera might not be kind to her. Her strong jaw, aquiline nose, and high cheekbones are riveting, rather than cover-girl cute. Much of her appeal stems from her continuous movements: the shrug of a shoulder, the toss of a stray curl, the arch of an eyebrow. Her hands are especially graceful, whether swimming gently in the air to punctuate her speech, or flinging back a scarf in an Isadora Duncan-like gesture. The interviewer drinks in the entire picture--the jawline, the blacks and purple clothing, the dark eyes set in white skin--and a one-word impression forms...
...voice now radiate maternal warmth. She understands their obsessions, their drives; she sympathizes with the "attempt to create a theater life before the theater accepts you." Such empathy comes naturally to her: "it's not possible to teach without relating to the students as human beings." From excitable little girl to understanding mother-figure, her metamorphosis has come full circle...
Laura Hastings' '80 Lois Lane, on the other hand, sparkles with freshness and originality. She has added comic dimensions to the character which never existed in either the "Superman" television series or in the comic books. Lois is at once the ardent feminist--"I'm not a girl," she declares, "I'm Today's Active Woman"--as well as the lovesick, horny girl who purrs the song "Oh, How I Wish I Weren't In Love With Superman...