Word: girls
(lookup in dictionary)
(lookup stats)
Dates: during 1980-1989
Sort By: most recent first
(reverse)
...past, black children have generally been neglected by publishers, but this year brings two outstanding compensations. In Cherries and Cherry Pits (Greenwillow; $11.75), Vera B. Williams introduces Bidemmi, a gifted young black girl who draws a world of apartments and subway stops and ghetto / streets. With her felt-tip pens and knowledgeable left hand, Bidemmi gives those scenes an optimistic glow, heightened by a metaphor: cherry pits. Everyone in the neighborhood, including a pet parrot, eats cherries. The seeds are scattered in the hope that one day there will be a whole orchard on Bidemmi's block, with harvest enough...
...roots of the urban experience are exposed in Flossie and the Fox (Dial; $10.89). Patricia C. McKissack's comedy of a girl who has to get a passel of eggs past a predator recalls Joel Chandler Harris' Brer Rabbit stories. "See," says the fox, "I have thick, luxurious fur. Feel for yourself." Returns Flossie, "Ummm. Feels like rabbit fur to me . . . You aine no fox. You a rabbit, all the time trying to fool me." The fox spends so much time trying to convince Flossie that he is nearly undone by a dog, allowing the child to escape with...
...French film Therese is a serene and enthralling biography of a girl who lived and died for the love of Jesus. -- The best...
...terse vignettes. The background is a spare, off-white wall. There are no raised voices or unnecessary gestures. Here stark 19th century mysticism meets skeptical 20th century minimalism. But, as Therese did with God, the film serves its subject, rather than imposing an ironic gloss. It communicates a girl's consuming joy in finding, in Jesus, the object of her obsession. It also takes a peasant's pleasure in the texture and even the temperature of every icon, from a bed warmer to a crucifix to the face of an old crippled nun preparing to die. "Give me a kiss...
...young acolytes about their love for Jesus. "Fondle him," she advises a friend. "That's how I snared him." Therese dies as she lived, a coquette for Christ, gaily fanning the crucifix on her sickbed pillow. "Back together again?" a nun asks of Therese and her beloved. The girl nods: "Poor thing. He's so lonely." Her mission was to make everyone feel happier, less lonely. A century later, she does so on film. Therese is enough to restore one's faith, at least, in the power of movies...