Word: giuliana
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Both are logical candidates for the post of musical director if Chieti, their birthplace in Abruzzi, revives the defunct town symphony as a tourist attraction. Francesco's desperation for the job is the more comically visible, and his wife (Giuliana De Sio) tries to advance his cause by sleeping with a town councilor. Less obviously needy, Andrea pursues the job with a worldly resignation that contrasts to good dramatic effect with his rival's cookie-tossing eagerness for it. Luciano Odorisio's Dear Maestro is not much to look at, but it is shrewd in its examination...
...doesn't stand in the wings with holy water like the wives of some Italian tenors." But Pavarotti manages only a handful of flying visits home to Modena. He misses family life. He is perplexed by his remoteness from his fast growing daughters?Lorenza, 17, Christina, 15, and Giuliana, 12?and he tends to worry about them and to compensate with strictness when he is there...
...tortured sensibility of the hero, Tullio, a wealthy, thirtyish landowner, that gets most of the attention. Tullio, played with exactly the right touch of smoldering arrogance by Giancarlo Giannini, Lina Wertmuller's man of all movies, has long since transferred his sexual interest from his exquisite wife Giuliana to his mistress, a fiery countess named Teresa (Jennifer O'Neill). Tullio tells Giuliana that he loves her as he would a sister, but that his passion belongs to Teresa...
...Giuliana's response is a period of gloom and fainting spells, followed by a livelier period of vigorous lovemaking with a handsome young novelist. Tullio dallies with his mistress, erring with her on fur in one fireside scene the lavishness of which approaches parody. But when the final break is at hand, he discovers that it is Giuliana who fascinates him. He lets Teresa rumble off to Paris by herself and forgives Giuliana, admitting that she has as much right as he to a lover. Since the novelist has by this time died of a tropical disease picked...
Alas, she is pregnant by the dead writer. This Tullio's fatal male honor cannot stand, and when a son is born to Giuliana he exposes the baby to cold winter air and allows him to die. Then, after a moody conversation with his mistress, he shoots himself through the heart. Teresa, dressed appropriately in a black gown-though no one was dead when she put it on-walks unsympathetically past his body and away from the camera. She stops motionless in the middle distance, an elegant figure on a path framed by trees, as the credits roll...