Word: giulietta
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Dates: during 1950-1959
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Trovatore will be remembered for the debut of Giulietta Simionato, the great Italian mezzo-soprano who sang Azucene. Simionato is known to record collectors for her superb Rossini performances. Yet, her extraordinary range enables her to perform parts as diverse as Azucena and Santuzza with equal ease and brilliance. Her Trovatore could not have been bettered. In these days when dramatic singers with reliable techniques are rare, a good Azucena, so difficult a part, is harder to find than the "great American opera...
...talent Giulietta Massina evinced in La Strada--her ability to switch quickly among three or four strong and simple emotions--suits her perfectly for this role, in which she must switch only from outside prostitute to inside virgin. In the best sentimental Italian manner, director Federico Fellini selects the most poignant situations and evokes from his actress the response of wistfulness devastated, time and again...
...past the Lyric has put on many a fine, star-heavy performance, and last week's cast was again impressive: Viennese Soprano Leonie Rysanek as Aïda, Italian Mezzo-Soprano Giulietta Simionato as Amneris, Swedish Tenor Jussi Bjoerling as Radames, Italian Baritone Tito Gobbi as Amonasro. But the stage sets looked as though they had been resurrected from an early copy of the Victor Book of Operas: cluttered scenes with every temple, tower and palm frond rendered in tedious detail. And Paris Opera Conductor Georges Sebastian throttled the tempo to a crawl, once even goaded Tenor Bjoerling into...
Champagne & Coke. Tebaldi's eminence in the world of international opera is made the more striking by a shortage of competition. Only Callas, Milanov and Italy's great mezzo, Giulietta Simionato, rank with her in the grand tradition. Below the leaders there is a substantial reservoir of fine veteran singers, all of them capable of turning in consistently competent and often inspired performances. They include Victoria de los Angeles, Elisabeth Schwarzkopf, Antonietta Stella, Eleanor Steber, Sena Jurinac, Lisa Delia Casa, Irmgard Seefried, Leonie Rysanek, Risë Stevens. Backing them up is a promising and fast-rising crop...
...statistical sort of realist who would take the average of all the girls in all the second-rate circuses in Italy, and cast the leading role as close as possible to this ideal. In fact, it is safe to say that no woman in the world is remotely like Giulietta Masina; that may be one reason her performance carries such conviction. Masina's face, though never down-rightly funny, is always comic--and usually pathetic into the bargain. Even when not made up in clown-white, it is a clown-face. It seems to be changing, frowning, smiling, always with...