Word: giulietta
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...project? Not within this paradigm. Even if one looks at the films of the "auteurs" of the last century, one will find collaboration as a foundational ingredient. Fellini, Bergman, Hitchcock, Scorsese, etc.: all have been able to create collaborations between artists of singular vision (What would Fellini be without Giulietta Masina? What would Scorsese be without the great screenplays of Schrader and Pileggi?) The genius of these directors comes from their powers of orchestration and coordination. In general, films are mass conglomerations of talent and effort; cast and crew combine to produce a finished product under the direction...
...bringing us Italy in ravishing color. A spoonful of Italian sugar makes the thriller go down so easy that one wonders whether the ghost of Federico Fellini wasn't smiling on this one. Why not? Thomas Ripley isn't really all that different from Fellini's heroines: like, say, Giulietta Masina in Nights of Cabiria. They are just two lost idealists looking up at the beautiful world they can't quite enter themselves. But while Masina laughs, Ripley rends. The difference is heartbreaking...
...last of Hoffmann's triad of heartbreaking heroines is the conniving courtesan Giulietta (Heidi Brown). A slave to the evil Dappertutto (again played by Benaim), she tries to steal the soul of Hoffman by capturing his reflection in a mirror. She abandons Hoffmann after he engages in a bloody duel with her wealthy suitor Schlemil (James Capobianco...
Beethoven's Symphony No. 2 figured nicely into the Valentine theme, as it was composed during the time period in which Beethoven was allegedly in love with the Countess Giulietta Giuccardi to whom he gave piano lessons. Beethoven's enigmatic love life was romanticized in the recent film "Immortal Beloved," bringing these legends to the foreground of concert programming. Though it was written in the Classical period, this early symphony foreshadows his later work and the entire Romantic period. With its sweeping melodies and dramatic dynamic changes, this piece was markedly different from the other pieces in the program. Overall...
...confessional glosses on 8 1/2). Male, yes, but with a stethoscope auditing the heart of a woman. La Strada, Cabiria, Juliet and Ginger and Fred (1983) are four sympathetic diagnoses of vital women used by weak men. They are also, of course, dynamic showcases for the talents of Giulietta Masina, who for 49 years was Signora Fellini. In his films she was the average, put-upon feminine spirit, just as Marcello Mastroianni was the gallantly anguished soul of modern...