Word: giulini
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Dates: during 1980-1989
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...Angeles Philharmonic. With a conductor like Carlo Maria Giulini, 68, an annual budget of $17 million and record appearances on Deutsche Grammophon, the Los Angeles Philharmonic has the credentials for membership in the elect. Its sound is far from the brilliance of Chicago or St. Louis; Giulini, the eminent Italian conductor, has based the sonority he wants on the lower strings, giving the orchestra a deep, dark tone. Instead of the flashy, glittery ensemble one might expect to find in Los Angeles, the Philharmonic is a sober, serious orchestra. Like Giulini, it is at its best in the romantic...
...Francisco Symphony. Another West Coast success story is the San Francisco Symphony's rise to prominence, not as spectacular as that of the Los Angeles Philharmonic but no less sure. Dutch Conductor Edo de Waart, 41, is no match for Giulini in glamour, and in a city still carrying a torch for De Waart's splashy predecessor, Ozawa, De Waart is often criticized for not being exciting enough. But his tireless work with his orchestra since the 1977-78 season has paid off in an alert, responsive ensemble, and the results show up handsomely in music close...
London's Royal Opera House and the Teatro Comunale in Florence-was entirely under Giulini's supervision, from the selection of the singers to the sets and costumes. In Giulini's hands, the final masterpiece of Verdi's old age emerged not as a simple, sometimes cruel romp, but a wise, humanistic view of life's pleasures and follies. Brimming with a youthful freshness and ardor, the seamless music of Falstaff could have been written only by a man well versed in the ways of the world. Giulini's interpretation went straight...
...lively Meg Page, and Soprano Barbara Hendricks and Tenor Dalmacio Gonzalez, who sang touchingly as the young lovers. British Director Ronald Eyre kept the action crisp; he was correctly content to execute the composer's wishes, rather than impose a fashionably idiosyncratic view of his own. As Giulini put it before opening night, "In opera the composer does the interpretation of the text. Not that there is nothing for the director to do. There is a lot. But who commands? The composer...
...idea of producing Falstaff originated four years ago, when Giulini became music director of the Los Angeles Philharmonic, succeeding Zubin Mehta. He and Ernest Fleischmann, the orchestra's shrewd executive director, agreed that Giulini would lead at least one fully staged opera under ideal working conditions during his tenure. Since 1968, when he performed Mozart's The Marriage of Figaro at the Met, Giulini has turned down all offers to conduct opera in the theater. Accustomed to only new productions at such major opera houses as Milan's La Scala and London's Covent Garden, Giulini...