Word: giulio
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...Manhattan arrived Giulio Marconi, 26, only son of Guglielmo Marconi, inventor of wireless telegraphy, to spend two years studying with Radio Corporation of America...
...Cousin Giulio, who succeeded Giovanni in the Papacy, wangled a more brilliant match for little Catherine than old Pope Leo had dared to dream about. At 14 she became the bride of heavy-lidded Henri, second son of the King of France. For a long time she was unable to conceive a child, and her sterility became important when the Dauphin died and her husband became heir to the throne. By trying everything once she managed, after ten barren years, to become a mother. Thereafter she triumphantly proved her ability by producing nine more children...
...closed in April 1935 when Giulio Gatti-Casazza took down his nameplate and stepped forever out of the general manager's office. For 27 years, Gatti had laid down the law to the most famous opera company in the world. He had seen that company once proud & secure. He had cut down his budget on high-priced singers. He had watched the Met struggle through Depression years by shortening its season, humble itself in a desperate tin-cup campaign. Few weeks before Gatti's resignation, the harassed Opera Board signed over its independence to the Juilliard Musical Foundation...
Shortly it seemed the Vatican might be doubling Archbishop Cicognani's fist, raising it for a blow. From Director Giulio Castelli of Rome's La Corrispondenza news agency came still another explanation of the Coughlin conundrum in which everyone seemed to be contradicting everyone else as to just where the Detroit priest stood with Rome: "The bishop came and received from the Vatican the most precise and unmistakable instructions that cannot be misunderstood-namely, to moderate the ardor of an orator who should have refrained from attacks of a political character, especially personal, and also renounce the forming...
...When Giulio Gatti-Casazza took his name plate from his office door last spring and for the last time hulked out of the shabby old Metropolitan Opera House, a musical era reached its end in Manhattan. For 27 years Giulio Gatti-Casazza had guided the Metropolitan's affairs shrewdly and cosily. At its best his long regime stood for many a stirring performance, for the presentation of many a top-notch singer, for real opera glamour. The end was different. Though the tired old impresario was granted every honor, his spirit seemed broken when Depression left his Company impoverished...