Word: giulio
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Enrico Caruso was the tenor, Arturo Toscanini the conductor on that November night in 1908 when Giulio Gatti-Casazza mounted his first performance as manager of Manhattan's Metropolitan Opera Company. The opera was A'ida, chosen by Gatti out of reverence for his friend and hero, Composer Giuseppe Verdi. Lately Gatti has been accused of being old-fashioned and reactionary. But last week as he began his farewell season at the Metropolitan, the sphinxy Gatti behaved as if he had never heard the carping. Again for the opening night he chose...
...When Giulio Gatti-Casazza returns to Manhattan from his summers in Italy, the long-established routine has been for him to summon musical reporters and inform them of the singers he has engaged, the operas he intends to produce the coming season. The picture in his dark, musty office has always been the same: Gatti settling his great bulk in a swivel chair, fumbling for the ribbon which holds his pince-nez, reading his announcement aloud in slow, painstaking English. When questions were asked, he would stroke his beard, answer warily or not at all. A grave "good afternoon" regularly...
...pince-nez and proudly put his name to a contract which soon was advertised all over the U. S. In Manhattan a slender Irish girl of 20 bubbled to reporters: "I'm thrilled to the ears." From his murky backstage office at the Metropolitan Opera, big, bearded Giulio Gatti-Casazza had just announced his plans for next season...
...financing Edward H. Harriman in the $65,000,000 corner in Northern Pacific in 1901, pitting his skill and strength against J. P. Morgan and James J. Hill. Art Patron Kahn sank his profits into the Metropolitan Opera Company of which he was chairman for 23 years. He installed Giulio Gatti-Casazza as manager in 1908. He brought Toscanini from Italy in 1908 and Arthur Bodanzky from his own home town in Mannheim in 1915. He spent nearly $2,000,000 buying out Oscar Hammerstein's Manhattan Opera Company when it threatened to ruin the Metropolitan...
...Toscanini's birthday concert, the 2,981st concert that the Philharmonic has given. For its artistic prestige, never higher than during the last decade, the little 67-year-old Italian is responsible. New Yorkers knew him before as an opera conductor but in 1915 he tiffed with Giulio Gatti-Casazza, raged out of the Metropolitan and returned to Milan to give all his time to the Scala. No one thought he would accept when Clarence Mackay asked him to conduct the Philharmonic in 1926. And when he cabled that he would come, great was the trepidation among the musicians...