Word: givees
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Dates: during 1960-1969
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...Student Association, on Wednesday, will consider a resolution tabled last week-that the S.A. give Hokanson a vote of no confidence and ask him to resign. Not surprisingly the emotion is sponsored by the anti-war petition's publicity director, David Baxendale whose efforts to get good press coverage went completely unrealized. Many S.A. member have taken careful mote of Hokanson's actions and, bolstered by unfavorable student reaction to him, might pass a vote of no confidence and ask Hokanson to resign...
...important than examining the petty charges against the petition, it might be worthwhile to find out who these 100 duped Business School students are and to get their point of view first-hand. Hokanson when asked for the names of some of these 100. replied, "Frankly, I don't give a shit whether you know any of their names or not. "He admitted that the Wall Street Journal reporter had asked him the identical question and, when pressed further. Hokanson conceded that a lot of the complaining students were first-year students (Hokanson is in the second year...
While Hokanson would not give any idea of the identity of these students, the student body is forming its own opinions. Richard E. Teller, a second-year student, said of Hokanson. "I thing he talked to two military guys and each one said he had 50 friends to agree with him." John Gilster, a first-year student in the liberal Section J, said that Hokanson should realize "if you're at the Harvard Business School and can't read, you get what you deserve...
...student politics is consistent with his relatively conservative theory of foreign policy. May would deny that American policy is purposefully planned to protect investments or markets. No administration, May wrote in 1967, "ever has a coherent scheme or an overall plan." There are only some underlying tendencies "which give a basis for predicting how individual cabinet members or the President are likely to react." One of the "tendencics," he acknowledges, is the lobbying of Embassy staff for protection of local investment. "The people who have economic interests in a country are the clientele of the embassy people and embassy cables...
...drama, had nothing to follow except his instincts. They led him to direct engagement with his material. He buried himself on the one hand in his subjects' history, on the other in the dramatic means he'd developed in eight years and four hundred films. His means did not give him formal dramatic control of his project; Intolerance's moral conclusions were not designed into the film from its beginning. Griffith rather intended his range of historical settings to reveal the struggles of "hate and intolerance against love and charity," with a generality and power the single-story film could...