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...great man conduct orchestra rehearsals. Toscanini moved too fast to catch in an orthodox sketch, so Fredenthal made multiple-image sketches that recorded a number of recurrent gestures simultaneously. The resulting watercolor bore some relation to Marcel Duchamp's famed Nude Descending a Staircase and some to Gjon Mili's stroboscopic photographs. It had more warmth than either...

Author: /time Magazine | Title: Art: Signs of Spring | 4/17/1950 | See Source »

...would boss the bosses next? An "executive editorial board" will try, with six $1-a-month members (John Hersey, Clifton Fadiman, Annalee Jacoby, J. D. Ratcliff, Gjon Mili, George Biddle). Over them will be a paid editor named Lawrence Lee, promoted from '47's literary editor. In theory, he can veto the board's decisions...

Author: /time Magazine | Title: The Press: Democracy at Work | 5/5/1947 | See Source »

Soon the letterhead of the A.M.C. boasted such names as John Steinbeck, Clifton Fadiman, Walter Lippmann, John Hersey, Howard Lindsay, George Biddle, Christopher LaFarge, John Dos Passos, Margaret Culkin Banning, Robert St. John, Gregory d'Alessio, Gjon Mili. The first stock issue ($100,000) was sold out in eight weeks; a second (for $160,000) will be floated this week, and 20% of it is already spoken...

Author: /time Magazine | Title: The Press: Every Writer a Boss | 7/1/1946 | See Source »

Negro authors generally, says Ebony, "are hitting pay dirt," and the royalties of onetime Communist Richard (Native Son, Black Boy) Wright (pictured with his white wife) "make a pretty fat bankroll." Ebony prints Gjon Mill's excellent shots of mixed jam sessions to show how jazz promotes good feeling between whites & blacks, reminds its readers of unpleasantness only with a picture story on Brazil headlined: "Starving Negroes Can't Eat Racial Equality." Despite the fact that her show folded before it reached Broadway, Ebony's 19-year-old pin-up girl Sheila Guys (caption: "A Star Fizzles...

Author: /time Magazine | Title: The Press: The Brighter Side | 10/1/1945 | See Source »

...film was made by LIFE'S famed fast-action photographer, Gjon Mili. Last summer he assembled some of the artists, Negroes all (save Barney Kessel),* who were playing Los Angeles, got them jamming on a Warner sound stage. Result: two numbers (On the Sunny Side of the Street and Jam Session) which, if not the best that hot players can do, are pretty certainly the most honest, down-to-earth popular music yet recorded for the screen...

Author: /time Magazine | Title: The New Pictures, Dec. 25, 1944 | 12/25/1944 | See Source »

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