Word: gladiatorã
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...fresh plate for seconds do not seem particularly effective in a packed dining hall like Quincy’s. Anyone who has lunched there knows the basic crowd dynamic: Right after noon and 1 p.m. classes, the place is more like a battle scene out of “Gladiator?? than a serving station. Then, in the middle of each hour, with no classes disgorging hungry, recently sleeping students, it quietly recovers while the tables strain under full capacity, random students brushing shoulders as groups compete for space...
...says Jessica S. Lin ’09, a former Crimson associate photo chair. The atmosphere of the game play is one of godliness, philanthropy, and non-competitiveness. We crush them utterly. 9:53 p.m.—“We watched ‘Gladiator?? and flipped through the fight scenes to prepare,” says our next opponent, Christopher H. Miller ’10. We come out victorious, however. Sinking the last cup feels much like how, I imagine, Congress felt when it founded the Peace Corps...
...He’s mentally tough, and psychologically, physically. At the start of the play, when things start to go wrong, he kills one of his own sons, without so much as a whimper.RR: Who would win in a fight: Titus or Russell Crowe in “Gladiator???JF: I think probably Titus. I mean, he’s old now, but definitely in his prime he’d destroy Russell Crowe.Jason R. Vartikar-McCullough ’11 RR: So who do you play in “Titus Andronicus”?JVM: I play...
...recognize him as a true competitor in the business of organized crime. Ever the clever opportunist, Lucas uses society’s disparaging notions of African-American intelligence and strength to operate below the radar and ultimately manipulate those parties who assumed him powerless. Director Scott (“Gladiator??) uses quick cuts to and from close-ups of Lucas’ eyes and his surroundings to emphasize the careful analysis of a black man trying to operate in a world where business, crime, and everyday life are synonymous. At times, Lucas needs to exhibit his ruthlessness...
...Jeff Beal, is meant to point at the strained social hierarchy in Samarra. Yet just as the film is taking shape as a careful exposition of Iraqi local politics, it changes course, styling itself as both thriller and romance. Enter Anna Molyneux (Connie Nielson of “Gladiator??), an empathic and attractive blonde reporter who, when she is not gazing at a love interest, spends most of her time looking around in helpless horror. You can’t blame her for her reaction to the situation in Iraq, but her constant vulnerability does not help make...