Word: glamor
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Dates: during 1920-1929
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...peculiar efficacy which Tiger teams had against the Crimson. And this was salutary because, as a matter of fact, the Princetonian who feels inferior is suffering only by the kindest stretch of the imagination from a complex. But even an actual inferiority can be swept away in the glamor of a football triumph. It should be unnecessary to point out that the benefits were conferred upon many who never made Coach Roper's squad. When Wittmer gets loose the most meager freshman in the cheering section is also free and hellbent for glory. "Hold em!" shout the undergraduates...
...With the glamor of a "big game" absent from Cambridge this week-end there is an opportunity to realize that intercollegiate football has no monopoly on the athletic interest of Harvard men during the fall months which the public dedicates to the roaring stadium. When Saturday after Saturday thousands of spectators envelop the chosen game in a sheen of frantic glory, the numerous minor sports go quietly on their own ways asking no share of the ballyhoo which rings from all sides in their ears...
...estate of Fontecreuse in Touraine (southern France ?the Contes Drolatiques country), he installs an elevator, removes a Gobelin tapestry which interferes with the acoustics of his Negro saxophonist, and engages a Russian Count to preside over his kitchen. The Count is Molinoff, a person of glamor. Molinoff forgets he is cook, remembers only he is count. He spends a few stolen hours every day with Anne and Françoise, young daughters of a neighboring poor-but-proud royalist family. Françoise, unlike Anne, has no bent for politics. Her energy is of the 1929 vintage. "In her arms...
Florenz ("Follies") Ziegfeld Jr. let it be known last week that he and Cinemagnate Samuel Goldwyn had formed the Ziegfeld-Goldwyn Corp., which would start next January to produce "talkies" with the Ziegfeld tang and glamor, the Goldwyn experience. Said Mr. Ziegfeld: "I am going to do for the screen what I have done for the stage." Of the stage he said: "There is too much dirt and nakedness in revues nowadays, and the public is about fed up on them. . . . The sketches now used as black-outs? are the sort that in pre-Prohibition days found their origin...
...this feeling that he goes to the trouble of bringing his family back to Cambridge. Just so long as it is present beneath all the superficial glamor and excitement, attendant on his return, the class reunions will remain vital and justified. On the other hand when the time comes when it is the glamor that affords the attraction, and the glamor alone, then the critic will be justified in demanding the abolition of an outworn tradition...