Word: glamorizations
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...classic role of a belle of New Orleans. Unfortunately for Miss Rainer's aspirations and the entertainment value of this picture, a great deal of cinema film has run through projection machines since old New Orleans was first presented as the epitome of U. S. historical glamor. Nowadays it does not seem much better than a bore, and all the flounced dresses, veranda columns and old plantation dialogue in Hollywood-on which The Toy Wife appears to be trying to corner the market-cannot completely change it. Produced with MGM's customarily scrupulous attention to visual detail...
...under Author Stead's high-powered microscope, there are 125 assorted spiders-brokers, customers' men, blackmailers, toadies, shysters, Packingtown countesses, Blue Coast playboys, a bank glamor-girl, a society medium. But although every nation has its representative, the fighting is not on nationalistic lines. "No rich man," says Jules Bertillon, "is a patriot, no rich man a friend. They have all only got one fatherland-the Ritz-Carlton; and one friend-the mistress they're promising to divorce their wife for." Some of the spiders...
...sense of humor. This is probably the most essential of all. A society reporter has to be able to laugh or she'll go nuts over the gyrations of society's lunatic fringe, its playboys, its glamor girls...
...Snigglefritz (William Henry) -set out from ancestral Saint John-cum-Leigh (pronounced Sinjin-comely) to un-smirch the escutcheon. Guided by Director John Ford (The Informer, The Lost Patrol), their juvenile, helter-skelter quest roams two hemispheres, seldom loses its bearings. By thrusting Hollywood's dreamiest-eyed glamor girl smack up against a methodical machine-gunning of a screaming mass of helpless men and women, Director Ford shows modern war technique in outlines no cinemagoer can fail to comprehend. When, after that, the film attempts to whitewash the munitions industry, it succeeds only in getting itself all messed...
Having directed comedy teams like Mary Boland & Charles Ruggles and the Marx Brothers, last year in Topper Director McLeod tried his hand at making a comedienne out of Glamor Girl Constance Bennett, who came to him with a reputation for temperament. Said Director McLeod: ''We've got a good cast, a swell crew and a good story. If anybody gets out of line, it will be you." Actress Bennett: "What do you do about people who get out of line?" Director McLeod: "I give 'em a good swift kick right where they need it." Topper, which...