Word: glamorous
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Dates: during 1980-1989
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...payoff might have eased the post-movie tension. Who knows? Perhaps--perhaps--we need to worry less about Humanoids from the Deep, which delivered enough sex and violence to satisfy the most sadistic, misogynistic audience, than about television's Charlie's Angels, which is just a tease, placing its glamor-girl heroines in perilous situations and raising expectations that it has no intension of fulfilling. We've got both of them, in any case, and a whole lot more...
...payoff might have eased the post-movie tension. Who knows? Perhaps--perhaps--we need to worry less about Humanoids from the Deep, which delivered enough sex and violence to satisfy the most sadistic, misogynistic audience, than about television's Charlie's Angels, which is just a tease, placing its glamor-girl heroines in perilous situations and raising expectations that it has no intension of fulfilling. We've got both of them, in any case, and a whole lot more...
...payoff might have eased the post-movie tension. Who knows? Perhaps--perhaps--we need to worry less about Humanoids from the Deep, which delivered enough sex and violence to satisfy the most sadistic, misogynistic audience, than about television's Charlie's Angels, which is just a tease, placing its glamor-girl heroines in perilous situations and raising expectations that it has no intension of fulfilling. We've got both of them, in any case, and a whole lot more...
Though the failings are many, the paramount problem facing Democratic liberals is their inability to convince large numbers of Americans to support large-scale social spending. The glamor programs of the '60s are now abused as giveaways; where once Americans applauded the war on poverty, they now save their praise, and their votes, for those who pledge to ferret out welfare cheats. "We must talk about the people that it is no longer popular to talk about," Representative Ronald Dellums (D-Cal.) told the convention Wednesday night. Liberals, he added, just "win back the party and win back America...
...quality, on the whole, is exceptionally high. The pictures include close-ups of wheels and grilles, views of roadside landscape, several junks and wrecks, a couple of corpses, and one female nude. The photographers, most of them not widely known, have been adroit in capturing the absurdity and the glamor of the automobile, its allure as an emblem of commercialism, transience and sex, but the show's interest as a sociological record is overwhelmed by the force, wit and elegance of individual pictures. The strongest work is the product of sensibilities inclined towards the commonplace, the fragmentary, the unresolved...