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Word: glamorous (lookup in dictionary) (lookup stats)
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...when I return to these children's books with an adult eye, this world becomes a stranger and much more melancholic place. For all his glamor and gumption, Tintin is an emotionally inscrutable character. Like another eternally young character, Peter Pan, Tintin's refusal to grow up (or settle down) betrays an ineffable sadness that clings to his beige trenchcoat...

Author: By Joshua Derman, | Title: Endpaper: Tintin | 5/6/1999 | See Source »

...slide down the surface of things" runs the constant refrain of the novel, and while Glamorama's 482 pages of vacuous characters provoke a desire to surface, to break out of the trap of celebrity, it also points out the pervasive nature of glamor. Ellis is often more interested in being cool than actual meaning (the novel opens with a Hitler quote); with Glamorama, he seems to be saying that this is the only truth we all share

Author: By Daryl Sng, CRIMSON STAFF WRITER | Title: Too Much Too Old: Glamorama so 1996 | 1/8/1999 | See Source »

...There's no glamor in politics," he said. "If you want to make money, go be a lawyer. If you want a title, work for a bank. You can be a vice president of something tomorrow...

Author: By Robert K. Silverman, CONTRIBUTING WRITER | Title: Capuano Keeps It Lively | 10/28/1998 | See Source »

This wedding, on a dark day of a troubled, distracted and most uncertain time, carried over six continents and seven seas a brightness so simple it was hard to understand. Its appeal was too nearly universal to be explained by such words as "glamor," "publicity," "sentimentality," or even by harsher and more present words, such as "power" or "wealth." Of the millions who spoke and wrote of it, perhaps a London linotyper came closest to saying what it meant...

Author: /time Magazine | Title: 1939-1948: WAR | 3/9/1998 | See Source »

...Americanization than simply a commercialization. Nowadays there are a lot more big explosions--hallmarks of Hollywood action hits such as "Die Hard" and "Lethal Weapon"--and fewer screwy plot twists and secret hideouts. Moreover, the modish European aesthetic of the '60s and '70s has given way to American-style glamor. What was once slick and suave is now just overkill. As the end result, we have only the gloating of an automobile manufacturer...

Author: By Daniel Altman, | Title: GILDED EYE | 11/18/1995 | See Source »

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