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...trade. Many corporations and banks in both the U.S. and Japan are investing in fashion houses, providing needed operating cash and funding ambitious new projects. They are, says Barry Landau, a public relations executive and friend of Halston's, "buying motion picture companies or fashion houses. These are the glamour industries that give them good profiles and visibility...

Author: /time Magazine | Title: Fashion: Dressed To Kill - and Die | 4/9/1990 | See Source »

...would need better actors than these to turn this sickly Shakespearian failure play into something with the slightest dramatic appeal. The Huntington Theatre Company's production of Cymbeline, with its crude Celtic glamour and fairytale ending, never rises above melodrama...

Author: By Ashwini Sukthankar, | Title: Huntington Shreds Shakespeare's Cymbeline | 3/20/1990 | See Source »

When Middlesex County first began documenting land transactions in the seventeenth century, all that local officials needed to complete the paperwork was a book, a quill and a scribe with no taste for glamour...

Author: By Michael P. Mann, | Title: Paving the Way for a Paper-Free Society | 3/20/1990 | See Source »

Director Kathryn Bigelow is Hollywood's suavest young stylist. Trained as a painter, she brings glamour, precision and thrill to every image. This film, bound as it is by action-movie conventions, hasn't the originality of her stunning horror drama Near Dark, and toward the end Blue Steel spins goofily off track. But it has a handsome time getting there, propelled by Curtis' sensible sensuality and Silver's bravura creepiness. These two help dramatize the danger any woman can find in the desperate intimacy of a big city. By the climax, Megan has to be thinking of Eugene...

Author: /time Magazine | Title: Cinema: Cop Vs. Creep | 3/12/1990 | See Source »

...profile of a '60s Caddy, bulbous with fins, and in the lower right a red X depicting a pair of chopsticks. Nothing else. One is not much helped by the otherwise useful catalog essay of Ned Rifkin, to whom, it seems, Moskowitz "revealed that the Cadillac might represent Hollywood glamour and the car culture of the West Coast, while the chopsticks could allude to a New Yorker's love of Chinese food." No kidding. This, you could say, looks like art history at the end of its rope...

Author: /time Magazine | Title: Art: Zen And Perceptual Hiccups | 3/12/1990 | See Source »

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