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HOSPITALIZED. Gloria Swanson, 84, legendary film star (Sunset Boulevard) who credits her longevity and ageless glamour to a diet of spring water and vegetables; for an undisclosed illness; in New York City...

Author: /time Magazine | Title: Milestones: Apr. 4, 1983 | 4/4/1983 | See Source »

...heyday of the average guy," says Joel Thurm, head of talent for NBC. "The country was prosperous. People were relatively satisfied with their lives and were able to laugh at themselves a little more. Now we're looking for heroes again. We want fantasy and glamour...

Author: /time Magazine | Title: Show Business: In Hollywood, the Year of the Hunk | 4/4/1983 | See Source »

...hunk, chiefly responsible for the return to glamour is Tom Selleck, the 6-ft. 4-in., 200-lb. star of CBS's Magnum, P. I., which premiered in 1980. A genial shoot-'em-up, Magnum is set in Hawaii, a location that allows Selleck, 38, to romp on the beach and show off his grizzly-bear chest to the camera with once-a-week regularity. No. 2 in the latest Nielsen ratings, the show has apparently propelled Selleck to movie stardom as well. His first feature film, High Road to China, displaced Tootsie as the box-office leader...

Author: /time Magazine | Title: Show Business: In Hollywood, the Year of the Hunk | 4/4/1983 | See Source »

...Jerome-all included in the exhibition-should not be exposed to the risks of travel, particularly for a show that has no scholarly purpose. But the Vatican does what it wants to do. It was determined to have an Event. If ever an exhibition was passively dedicated to the glamour of organized religion, this...

Author: /time Magazine | Title: Art: Culture in the Papal Manner | 2/14/1983 | See Source »

Impossible the job may be; it is unquestionably important. Says retired Diva Beverly Sills, now director of the New York City Opera: "The Met has the funding, wonderful facilities, glamour, international stars. It is the most prestigious opera house in the world." As such, the Met must act as an aural museum, preserving and displaying the standard repertory: works such as La Traviata, Tosca and Die Meistersinger. But an opera house must also be active in reviving worthy pieces and commissioning new ones. Under Levine's artistic administration, the Met has successfully explored new territory in such operas...

Author: /time Magazine | Title: Maestro of the Met: James Levine is the most powerful opera conductor in America | 1/17/1983 | See Source »

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