Word: glamourizer
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First, the staff editorial ("Commencement Choice: Dr. Who?"). It is an insult to every scientist at Harvard to be told that the choice of Dr. Varmus is a "disappointment." As for "glamour," how many Harvard seniors from the class of 1995 had heard of Vaclav Havel prior to that Czech Republic President's selection as the Commencement Speaker for that year? No poll was conducted to my knowledge, but I'd venture a guess: not many. Seldom has such myopia been demonstrated by an entire staff (minus three) of supposedly intelligent journalists. This essay demonstrates a lack of education...
...star GEORGE CLOONEY's first foray into the minefield of Hollywood romantic comedy. (One false move and he may be making From Dusk to Dawn vampire sequels from here to eternity.) One Fine Day, due out later this year, pairs the roguishly charming newcomer with that gleaming icon of glamour MICHELLE PFEIFFER. Clooney plays an Oscar Madison-like newspaper columnist and single father; Pfeiffer is an architect and single mother. They meet and immediately fall in loathe. What do you think will come to pass? In any case, plot turns are one thing, chemistry another. Seasoned superstars--including Al Pacino...
...plays a death-row inmate in Bruce Beresford's Last Dance. In vain would we tell her that the world has a surfeit of good actresses but damn few movie stars and that she is one of the rare modern avatars of the grand old radiance. Acting is easy, glamour is hard. But Stone wants more than to make sin chic. To increase her stature, she must diminish her luster. And so she has chosen the sort of caged-woman melodrama--but with a message--that, when Susan Hayward tried it in the 1958 I Want to Live...
...lover with a modern twist, reinterpreting a vanished ideal for the 1990s--no sobs or lunges here. Gheorghiu's calling card is the home video of the Solti Traviata (London). This is an opera in which the soprano must rule the stage, and she brings a riveting combination of glamour, poignancy and guts to the role and extends it with her lavish response to Solti's bravura reading of the score...
...weeks ago, the pair sang together in La Boheme for the first time in New York City at the Metropolitan Opera House (they have sung together in Europe before). The night was charged with theatrical glamour, marred by the fact that Alagna had a cold that uncovered what seemed to be a break in his voice; he had to cancel a subsequent appearance. Gheorghiu, however, was an ideal Mimi, vocally lustrous and with the strange radiance that consumptives are alleged to have...