Word: glamourizes
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Dates: during 1990-1999
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...away the paparazzi while Caroline would have a life in which she could walk her children to school and answer her own phone. She would even intellectualize the quest for privacy in a book on the First Amendment, In Our Defense. While John had an effervescent star quality, a glamour about him and his stylish wife, Caroline was incandescent, without a trace of glitz, but glowing from within. She was entirely free of the resentment that attaches to the famous. She never took its perks or used its privileges except in service of the family. After John's smashing performance...
...going from natty to tatty. DAVID KELLEY seemed to have come straight from a backyard barbecue to the premiere of Lake Placid, which he wrote. The film's star BRIDGET FONDA at least looked well groomed. At the premiere of Eyes Wide Shut, NICOLE KIDMAN turned up the glamour (adorning her arm with what looked like a painful piece of jewelry), while husband and co-star TOM CRUISE dispatched with elegance in favor of studied nonformality. And surely ADAM SANDLER (seen here with co-star ROB SCHNEIDER) could have found a fresh T shirt for the premiere of his film...
...rather shocking deficiency: the phones don?t work inside buildings and in urban areas. So Iridium has been forced to rejigger its target audience from globe-trotting yuppies with big egos and bigger expense accounts to a decidedly different niche: mariners, oil-rig workers and the military. That glamour hemorrhage has turned Iridium?s once-$70 stock into a $6.75 dog. And the competition has come in droves ? companies like Ellipso, Vodafone and Teledesic (which wants to up the ante with an Internet-in-the-sky), arriving late, have benefited from improved technology and learned from Iridium?s mistakes. Meanwhile...
...reflected in high production values and heavy funding for an American artist whose work is internationally known. This year's display is no different, with backing of about $1 million from government and private sources, including a $100,000 grant from the glitzy fashion house Gucci (and the requisite glamour of Gucci's creative director, Tom Ford, posing on several occasions with Hamilton as his bodyguards stood stonily by). These are the trappings of America's high-end art culture at the end of the century: spectacle is required. You go to the U.S. pavilion expecting a little extra wattage...
...even Los Angeles, with all its other-worldly glitz and shabby 1920s glamour has some characteristics of Smalltown, U.S.A. Witnessing the hundreds who turned out to watch the fireworks in the stands of Valley College stadium made this cynical place seem a little more apple-pie American. That was until I was informed that both CBS and Paramount were charging admission for their fireworks in other parts of LA. Another reminder that entertainment doesn't come cheap, even on a National Holiday. Maybe Los Angeles is America though, and the archetypes are just that--out-dated non-existent memories...