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Word: glamourizing (lookup in dictionary) (lookup stats)
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...Magnificent Obsession) to musicals (Thoroughly Modern Millie in 1967) to comedies (a brace of Doris Day films) to dramas (1970's Airport), the typical Hunter product offered a high-calorie menu of top-priced Hollywood stars, expensive sets and sumptuous costuming that gave tragedy and melodrama a gloss of glamour...

Author: /time Magazine | Title: Milestones Mar. 25, 1996 | 3/25/1996 | See Source »

...will be reminded of the brandy Alexander that Mary Richards told Lou Grant she'd like during her job interview on the Mary Tyler Moore show, a series that was a lot more acute about the elusive glamour of TV news. But Up Close and Personal is The Way We Were Hollywood version. Long before its ending (or rather, the endings--there must be six or seven of them, all superfluous to the main plot), the film has become a rosy yet pale dreamscape of real workaday life. It's like the Windsong commercial on the nightly news, between...

Author: /time Magazine | Title: CINEMA: HAIR TODAY, STAR TOMORROW | 3/4/1996 | See Source »

Describing the glamour that surrounded Kennedy, Sidey discussed the central role that fashion and appearance played in his presidency...

Author: By Amita M. Shukla, | Title: Hugh Sidey Discusses Book at Kennedy School | 2/1/1996 | See Source »

...hasn't come to that--not yet, anyway. But to judge from a fresh crop of young female performers, the dowdy, male-dominated world of classical music is in for a long-needed injection of glamour and, yes, sex appeal. String players all, the women present images ranging from the frank sensuality of electric violinist Vanessa-Mae, 17, to the girl-next-door allure of Leila Josefowicz, 18, to the more mature charms of Canadian cellist Ofra Harnoy, 30, and sultry new-music violinist Maria Bachmann, 35. And then there's the all-female violoncello quartet known collectively as Cello...

Author: /time Magazine | Title: MUSIC: SEDUCTIVE STRINGS | 12/11/1995 | See Source »

...contagious. The shots of the Las Vegas Strip are are as seductive as have ever appeared in film. Whereas Mike Figgis presents a gloomier view in his exceptional "Leaving Las Vegas" and Paul Verhoeven fails to leave a lasting impression with "Showgirls," Scorsese chooses to focus on the intertwining glamour and power in this fickle town...

Author: By Jon Bonanno, | Title: A Price For Every Greedy Pleasure | 11/30/1995 | See Source »

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