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Publicity shy to the point of reclusiveness, the Wolfsons have been tugged into the glare of attention by their success. But they have each been in the public eye before, separately and for quite different reasons. For much of his career, Louis Wolfson was the ultimate outsider-a notorious corporate takeover artist who also went to jail for selling unregistered stock and who was involved in a curious affair that brought about the resignation of a U.S. Supreme Court Justice, Abe Fortas. In 1958, Wolfson bought his way into racing, then devoted his considerable energies and talents to becoming...
...Easter Eve services. Crowds, including thousands of atheists, will flock to watch the predawn procession of crosses and icons around Moscow's Yelokhovsky Cathedral, where Young Communists in red armbands stand by outside to see that only regular worshipers actually attend the rites. Inside, bathed in the glare of thousands of candles, the congregation will join Pimen, Patriarch of All the Russias, in the great cry of triumph, "Khristos voskres!" (Christ is risen...
...dancers rather than a single choreographic vision. Purists were appalled and left with a tantalizing question: Would Balanchine have made a masterpiece for Gelsey had she stayed? But Baryshnikov's offer was a plum that few ballerinas could have resisted. Keeping up with him was hard enough. And the glare of publicity that followed his grand jeté to the West offered his partner the brightest, whitest arena in which to succeed or fail...
...background, and one does not get it. The U.S. that rises from some of his drawings in the 1970s is an edgy, nasty place, a theater of disaster populated by grotesques. The white paper takes on the look of Manhattan's 42nd Street in summer, bombed out by midday glare. Whores, bums, flint-faced Irish cops, frazzled black pimps, rats, crocodiles up from some imagined sewer, sirens emitting Technicolor laser blasts of sound, bulbous cars belching their exhaust smoke, an S and M homunculus encased in glittering leather with the motto VIVAN LAS CADENAS (long live chains) worked in studs...
That solitude is threatened by the Whitney exhibition, and Steinberg views the glare of attention with a carefully nurtured indifference. "I would like," he says opaquely, "to retrospect the retrospective." But the crowds that arrive to inspect the Inspector will, one may predict, come to laugh and stay to think; for this show sets before us one of the most intriguing and complex intellects in art today...