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...model, a kind of compact copter, has a cruising speed of 70 m.p.h., a maximum speed of 86 m.p.h., a range of 200 miles and an endurance of three hours in the air. Special effects include a 360° visibility, a tinted canopy to protect against sun glare, and air-oil shock-absorbing landing skids that "smooth out" the roughest terrain. It is also economical-13? a mile by Hughes's estimate. With 53 dealers already signed up and expectations of many more, Hughes has stepped up production to one copter a day, confident the idea will soon catch...

Author: /time Magazine | Title: Travel: Compact in the Sky | 1/25/1963 | See Source »

...there, transformed into a subtle geometry that partially conceals their identity but thereby achieves what Knaths is after-"mood and wonder." Knaths never goes in for dramatics. His colors are muted, do not dazzle. He can catch the orange glory of dawn, but he is not interested in the glare of high noon. He suggests the movement inherent in even the still life, but shuns swift outward action. Rather than a storm at sea, he prefers to paint the glistening emptiness of the time when the tide has run out. There is activity in a Knaths painting...

Author: /time Magazine | Title: Art: Mood & Wonder | 1/11/1963 | See Source »

When there is bright sunlight on the top of the light-colored dashboard and one side of the road is in deep shade, it is difficult to see through the glare into the shady area...

Author: /time Magazine | Title: Letters: Jan. 4, 1963 | 1/4/1963 | See Source »

...bought my '55 car (one of the Big Three), resplendent in chromium and sea-mist green, I covered the shiny part of the steering wheel with masking tape and painted the wiper arms flat black. A friend told me how to use wet sandpaper to eliminate the glare from the hood over the instrument panel...

Author: /time Magazine | Title: Letters: Jan. 4, 1963 | 1/4/1963 | See Source »

...circus-pocus, and he almost always gets the best out of his players-including Jumbo, portrayed with massive aplomb by an animal named Sydney, who wears a size 92 top hat and, in profile, looks rather like Durante. Day as usual is blindingly sunny, but in a circus the glare seems suitable. Boyd, for once, talks without sounding as if he were a species of Boyd that chews worms. And Martha Raye is hilarious as an unfortunate fortuneteller who sometimes plays a lion. But the show belongs to Schnoz...

Author: /time Magazine | Title: Cinema: Absolutely Everything | 12/21/1962 | See Source »

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